The Best New Nintendo Characters of 2019

There are just too many Nintendo characters to choose this year…

When we first started tracking our favourite new Nintendo characters back in 2015, it was during the Wii U era and unfortunately, there weren’t many to choose from since Nintendo wasn’t releasing many games at the time. The opposite can be said for 2019 and now our staff has an even bigger problem which is deciding who to add to this list and who to leave out— which isn’t an easy task if only because Fire Emblem Three Houses features over fifty amazing characters to choose from. We considered including the entire roster, to be honest— back in 2018 our list of best new Nintendo characters included everyone from ARMS, but after much debate, we decided to instead, choose just a few characters from Three Houses.

What follows is a list (in alphabetical order) of the best new characters introduced to the Nintendo universe this past year — and yes Fire Emblem: Three Houses is heavily represented this

Bede (Pokémon Sword and Shield)

I’ll be honest, when I first saw Bede I questioned why one of my rivals was a granny in a pink coat. Turns out I’m an old man myself and my bias was showing, as Bede isn’t a granny but a young lad that was endorsed by the Chairman to compete in the Champions Cup.

Bede is one of the very few characters in Pokémon Sword and Shield that undergoes some development. He starts out as an arrogant, self-obsessed jerk and ends the game as an arrogant, self-obsessed jerk, just with the experiences of being thrown out of the Champions Cup after undergoing a brutal perfidy by the Chairman and his assistant. He later becomes the understudy for Gym Leader Opal, but his transition from a Champions Cup hopeful to a trainer with purpose is one of few elements of story that Pokémon Sword and Shield offers. (James Baker)

Bernadetta (Fire Emblem: Three Houses)

Bernadetta is an incredibly shy Black Eagles student who tends to stay in her dorm room whenever she can. She’s reclusive, anti-social and incredibly awkward, and I can say without any doubt that I’ve never related to a character so much before. Bernadetta is a noble teenager of House Varley who was treated terribly by her father as a child. To train her to be an obedient wife, he would tie her up and force her to be still and silent for hours. He also ensured that she didn’t have any companions, having the only friend that she ever had -a commoner boy- beaten almost to death. This instilled a fear of social interaction within Bernadetta. She assumes that she is constantly making errors, afraid to make friends in case they reject her or end up hurt and views herself as generally useless. I myself have suffered similar self-esteem issues (though not due to being tied to a chair for hours!) and I could genuinely relate to some of Bernadetta’s struggles. Her skittish nature and her awkwardness can be pretty funny- such as in various support conversations with the other students where she will freeze, scream or just up and run away from them- but as they progress they can become heart-warming.

Watching Bernadetta slowly open up to the students that she was once too terrified to even talk to is great to see. Finding her outside of her room whilst exploring Garreg Mach is also a lovely surprise. If interest is taken in leveling up her supports, the growth in confidence from her throughout is astonishing. What I really love is that it is realistic growth. As I said, I saw myself in Bernadetta a lot. I know that with these kinds of issues, you can’t move faster than one step at a time. This slow but steady growth is portrayed excellently with Bernadetta. Even if you get her to the maximum support with everyone possible, she still has her moments of fear and dread. She still has days where she wanted to be reclusive in her room. But, just as in real life, it’s okay to have those days. Her growth continues throughout and I remember feeling immensely proud of her after the time-skip due to her newfound battle confidence. She was no longer pleading to go home in her voice lines but instead cheering herself on when she was doing well. Though her shyness is often played for laughs, Bernadetta is a character who can show those with similar issues that it’s alright to take your time when it comes to overcoming your fears. One step at a time is more than enough and Bernadetta helped me realize that. Now if anyone needs me I’ll be locked in my room for the next 48 hours. (Antonia Haynes)

Claude (Fire Emblem: Three Houses)

I can’t say enough about Claude von Riegan, the heir of the noble family that leads the Leicester Alliance and the fearless leader of the Golden Deer house. Of the three leaders of the three houses, Claude is by far the best. Don’t get me wrong, I love Edelgard and Dimitri, but Claude is the most charismatic of the bunch— he’s calm, cool and seemingly always in control. Yes, at first he may come across as lazy or irresponsible due to his nonchalant attitude, but we quickly learn he is far more astute than he lets on and always a few steps ahead of his peers. And unlike the other house leaders, Claude refrains from letting his personal feelings or his tragic past get in his way. In other words, there’s little drama to be found when spending time with Claude.

It helps of course that Claude is also strong, capable, intelligent, compassionate, quippy and downright handsome. I love his hair and his big green eyes but beyond his mysterious, sexy and charming demeanor is someone who deeply cares about the people around him. Claude’s support conversations are some of the most entertaining to watch and his voice acting is some of the most expressive in the game. Even Lorenz, who is arguably the most hated character in Three Houses, eventually falls for Claude’s charm –  and towards the end of the game, you can’t help but like Lorenz thanks to Claude who not only accepts him for who he is but helps Lorenz grow to become a powerful ally.

On the battlefield, Claude is an absolute beast. He specializes in the sword, bow and authority and can easily excel as a sniper, a deadly Swordmaster and/or an unstoppable Wyvern Lord. He’s a cunning strategist too, and he possesses a wealth of knowledge about his allies and enemies alike — and if that isn’t enough, Claude pretty much carries his team and leads them to victory in just about every battle.

But what I really love about Claude is that he’s a downright good person and unlike many of his peers, he does not relish in killing unless necessary. He also never once betrays any of his classmates and although he comes across as untrustworthy at the start, Claude ends up being the most loyal person in the entire game. Despite the school setting, Fire Emblem Three Houses is a story of war that tears people apart. Choices must be made. Ideals will be tested. Loyalty must be earned. People die and some kill—but despite the harsh realities of war, Claude never loses his way. He’s not just the best Golden Deer student there is, he’s also the best there was, and the best there ever will be. (Ricky D)

Cyril (Fire Emblem: Three Houses)

Cyril is one of the most polarizing recruitable characters in Fire Emblem: Three Houses, and for good reason. He’s an incredibly hard worker who’s always busy in one way or another, but he can also be rather short with slackers or anyone who tries to keep him from his duties. There’s no place for laziness in Cyril’s world and, though he can be admittedly harsh about it, it’s a refreshingly no-nonsense attitude that’s rarely seen in modern JRPGs.

His hardened personality makes sense in the context of Three Houses, too. The victim of war between Fódlan and Almyra, he was an orphan with nowhere to go until Lady Rhea found him and took him in at Garreg Mach Monastery. Ever since then he’s worked tirelessly to serve Rhea keep Garreg Mach in the best condition possible. Cyril’s rather tragic childhood instilled values similar to Leonie’s: take nothing for granted and only progress through honest hard work.

Of course, Cyril isn’t perfect; his devotion to Rhea can be troubling at times, and it’s clear that he lacks standard social queues (in his defense, though, he is only 14 pre-time skip). Ultimately, however, he excels at being someone you can always rely on to tell it like it is. From chiding Hilda for being a lazy bum to delivering the fantastically relatable line “Why do I gotta talk about stuff I don’t wanna talk about just because you’re bored, Ignatz?” Cyril speaks the truth so many other characters simply mutter under their breaths. His support conversations with Manuela are simply icing on the cake. (Brent Middleton)

Dimitri (Fire Emblem: Three Houses)

It’s safe to say that the Blue Lions are juggernauts on the battlefield and have earned a reputation as the strongest house in Fire Emblem Three Houses. Leading these noble warriors who serve the Holy Kingdom of Faerghus is none other than Dimitri Alexandre Blaiddyd, the only surviving royal of the Tragedy of Duscur. Of all the characters in Three Houses, Dimitri’s story of avenging his parent’s death is by far the most compelling. Dimitri suffers from survivor’s guilt and despite growing up to become a sincere young man, the prince just can’t shake the ghosts of his past. Of the three leaders of the three houses, Dimitri’s has by far the best character arc, albeit tragic— as he goes from humble and down to earth pupil to a ferocious one-eyed warrior hellbent on getting revenge on those who wronged him and his family. In combat, Dimitri has incredible strength, the highest of any student at max levels, and has excellent hp, strength, speed, dexterity, and defense. He’s no doubt a great warrior but his journey is dark and twisted making him someone you admire, sympathize with, and fear. While Claude may be my favourite character, Dimitri is a close second. He’s the center of some of the best cutscenes in the entire game, including this scene which is my personal favorite. (Ricky D)

Dorothea (Fire Emblem: Three Houses)

Dorothea is the songstress of the Black Eagles House with a charming nature, desire for equality and a witty repertoire of quips. Despite her outwardly pleasant nature, it is what is underneath this charismatic exterior that makes her so endearing. As a commoner child, she was thrown out of her home alongside her mother by her father for not having a Crest. Her mother died and so she was left to fend for herself on the streets until she was recruited by an opera company.

As a commoner who was treated with such disdain, Dorothea would have every right to hold a burning grudge against the nobility. But she doesn’t. She holds a dislike to some of her fellow students but only the outwardly arrogant ones who flaunt their nobility such as Lorenz. She also has a dislike of Ferdinand but this is due to a misunderstanding when they were children and she was a street urchin. She has every right to be angry, bitter and callous. But she isn’t. She is reasonable, kind and caring. She usually gets the upper hand in most conversations that she has with her fellow students due to her street smarts, beauty, and intellect. But she is never arrogant about any of it.

Dorothea is flirtatious and flits from one suitor to the next, but this is only because of her crippling fear of being poor and on the streets again once her talent and beauty have faded. She longs for someone to have by her side as both a financial and emotional crutch which is honestly pretty realistic. Despite all her bravado, she is just a young woman with not quite as much self-esteem as you might think. She is a survivor but she is also desperate for love, security and a place to call home. Dorothea has worked her way out of poverty and she will do anything to ensure she doesn’t go back. The depth of her character is superb, with multiple layers to her personality unveiled in each support conversation. Loyal, strong-willed and compassionate, Dorothea is one of the best new Nintendo characters as well as one of the best Fire Emblem characters. (Antonia Haynes)

Felix (Fire Emblem: Three Houses)

In a game loaded with interesting character contradictions, Felix may just be the most fascinating example of a person at odds with himself. While openly and brazenly despising the notions of idealism, knighthood, general likability, and sweets, this haughty swordsman is also a principled defender of the people, a fanatical trainer, a secret protector of his many childhood friends, and a possible fan of cake. The loss of his brother to honor has clearly cut him deep, but beneath the scarred facade of cynicism is a fierce, loyal compatriot who pretends he hates everything, but will die for those he loves.

More than anything, however, Felix is just plain entertaining in his resistance to connection. His standoffish demeanor and arrogance contrasts humorously with the more naive students (Bernadetta and Flayne), who remain oblivious to his insults while wrapped up in their own obsessions, and plays just as good (if not better) off those who call his over-the-top mean bluffs. Whether it’s Dorothea convincing him to drop the act and catch her opera, Ingrid (a reminder of his brother’s sacrifice) scolding him into remembering the amiable boy he used to be, or Lysithea convincing him to eat one of her baked creations, it’s both funny and poignant to watch this wounded young man’s pragmatic outlook be challenged by thrusts he can’t parry. (Patrick Murphy)

Ferdinand (Fire Emblem: Three Houses)

It’s easy to come to Fire Emblem: Three Houses with preconceived notions against the idea of a class of nobles who rule the populace while living in luxury paid for by the toil of their subjects, but damned if Ferdinand doesn’t almost make one want to believe that this system could work. Though his quaintly formal parlance at first comes off as cocky and elitist, and he is certainly is rife with ignorance when it comes to the lives of commoners, one quickly discovers that his belief in his overall purpose to serve and protect the population is completely sincere and utterly selfless. In short, Ferdinand might be the nicest, most honorable, most self-reflective character in the game.

He’s also one of the most endearing. Though his often complete obliviousness to his fellow students’ subtle digs at his idealism (Dorothea comparing him to a bee) provides plenty of comic fodder, and his lack of perspective causes hilariously goofy tripping over his own feet (‘helping’ Bernadetta), Ferdinand unceasingly continues to seek understanding of others in order to become a better person himself. And when tragedy strikes? He considers his own behavior and place in the world with such humility and rational analysis that it’s hard not to root for the guy to one day become the leader he so desires to be. Also, he apparently gives really good hugs. (Patrick Murphy)

Gooigi (Luigi’s Mansion 3)

Does a clone have a mind of its own? Is a facsimile anything more than that which it was copied from? Can a pile of animated snotty goop help a frightened plumber fight ghosts? These are the heavy-hitting questions that Gooigi inspires. It is true, technically Gooigi’s first appearance is in the updated 2018 version of Luigi’s Mansion for the 3DS, but it feels as if it’s here, in 2019’s Luigi’s Mansion 3 that Gooigi has become its own new and wonderful Nintendo character. Is Gooigi simply another ghost-busting trick created by Professor E. Gadd, or does he have a mind of his own? Is he Luigi devoid of all feeling, or is he Luigi bereft of all fear? In the moments when he liquifies through some doorway that Luigi could not go through, is he simply finding a secret treasure, or is he opening doors inside of Luigi himself? Such high-minded philosophy can be debated by sages for ages, but at the end of the haunted hotel, there’s a new fun character to play co-op Luigi games with who adds a unique twist to the gameplay mechanics. This new clone makes Luigi’s Mansion 3 even more fun than it was, to begin with, and that is a spooky goopy triumph. (Marty Allen)

Leonie (Fire Emblem: Three Houses)

There’s no student in Fire Emblem: Three Houses that has as direct a connection to Byleth’s family as Leonie. Though her obsession with the player’s father, Jeralt, might be off-putting to some, it all starts to make sense the deeper you dive into her support conversations.

Leonie was only a child when Jeralt visited her village as a traveling mercenary, but he left a major impression on her nonetheless. In the short time he was there he taught her combat techniques and basic strategies, and by the time he left Leonie was so inspired that she decided to devote herself to becoming a mercenary just like Jeralt. Not only is her admiration of him touching, but the fact that she dedicated her entire life to become stronger and capable enough to get into the Officer’s Academy is simply astounding. As one of the commoners in the Golden Deer house, she truly had to fight tooth and nail to gain her spot.

Outside of her impressive backstory, Leonie is simply a great role in her own right. She’s studious, a hard worker, is incredibly frugal, and she never takes her opportunities for granted. Though she comes off as a bit of a tomboy in the first half of the game, Leonie also has one of the better post-time skip designs of the bunch. More than anything, however, her honesty and reliability are never in question for a second. If there’s anyone in Golden Deer that I could legitimately rely on to have my back, it’d be Leonie (with Raphael as a close second, of course). (Brent Middleton)

Marianne (Fire Emblem: Three Houses)

There’s no character in Fire Emblem: Three Houses that needs a hug more than Marianne. She’s also a character that didn’t appeal to me on her own, but rather how she interacted with others. Her low self-esteem and tendency to put herself down results in some of the most depressing support conversations in the game, and even the franchise as a whole. A classic example of the hedgehog’s dilemma, Marianne avoids getting close to others to avoid hurting them. Yet unlike many other characters in other media that exhibit such a trope, keeping such as distance causes her visible anguish that deeply resonates with the player, much to the credit of her voice actress, Xanthe Huynh.

That makes watching her fellow classmates gradually bond with her and pull her out of her shell all the more beautiful. Lysithea getting mad at her for not speaking for herself, Raphael sincerely trying to understand her hobby, and Hilda teaching her to not let people walk all over her were all pivotal in getting Marianne to accept herself and that manifests in such a pure way in the second act of the story. She exemplifies the stutter-step process of overcoming depression or severe bullying and that’s certainly not something I thought to be explored in a Fire Emblem game. (Matthew Ponthier)

Marie (Astral Chain)

Marie is at the heart of the otherwise underwhelming cast of Astral Chain. She’s unique in that she doesn’t carry weapons and never appears in combat scenarios; instead, she works hard to maintain Neuron Headquarters and keep everyone around her in great spirits.

It’s easy to brush Marie off as a simple gag character. After all, she’s first encountered masquerading around as Lappy, the energetic puppy-like mascot of the Ark Police Force and honorary member of the welcoming committee. Her tour of HQ—while trying to maintain anonymity as Lappy—isn’t just hysterical, but highlights just how hard she tries to make things fun for the officers on duty. For as pristine and beautiful as Neuron HQ is, the world outside those walls is on the brink of collapse thanks to endless attacks from otherworldly beings; keeping morale high is no easy feat.

Aside from learning early on that she’s secretly been rescuing cats around the city, the most endearing glimpses at Marie’s character don’t come into focus until relatively late in the game via several Public Affairs Records. It’s clearer here than ever that she thinks of everyone at Neuron as family, and that she takes the utmost pride in her work to support everyone from the sidelines. Just when the fight to protect the Ark seems futile, Marie’s there to remind you just how important your work really is. (Brent Middleton)

Morty (Luigi’s Mansion 3)

Between the original Luigi’s Mansion to Luigi’s Mansion 3, the series went from slightly creepy to downright goofy. Both concepts work extremely well for Luigi’s Mansion and nothing highlights the hilarity that the series can bring more than Morty and his ghoulish Godzilla production.

All the ghosts have bags of personality but none are less threatening than our humble film producer Morty. Indeed, after helping him film his tragic Godzilla film, Morty just gifts Luigi the elevator button and glides on his merry way to produce his film. Naturally, as a keen ghostbuster, you’ll interrupt his hard work and suck him up regardless of his generosity; besides, it’s the easiest boss battle in the history of gaming, this ghoul struggles less than your standard Goob.

Whether the player decides to attack Morty or not, he remains the friendliest ghost in Luigi’s Mansion. His passion for film comes before any flyer on the walls reminding the ghosts to find Luigi. His reason to exist is his film and it made for some of the most wholesome gameplay in Luigi’s Mansion 3. (James Baker)

Shamir (Fire Emblem: Three Houses)

In a world with this much drama, it can be amazingly refreshing to run across a character who simply takes everything in calm, measured stride. Life happens, and Shamir is Three Houses‘ level-headed voice of reason, even when she can’t be bothered to utter a single syllable. This mercenary comes from another land, and often seems like a world apart; no one has less at stake in the events that take place, yet no one is as mysteriously compelling as this mercenary archer.

Sure, a few hints are dropped about the tragic fate of a former lover, and an amusing fear of bugs (which she still manages to be cool about) adds nice cracks to her otherwise uniformly steely armor, but so much is left to the imagination. What kind of life has she led until now? Why the distant demeanor? How did she become so skilled? The most telling and entertaining elements of Shamir’s character are garnered through her terse replies (especially the silent ones) to more bombastic characters, which at least indicate who she is, if not how she became so. Interactions with Raphael and Caspar also depict a person of such confidence and fairness that it’s no wonder why she is (sometimes to her annoyance) sought out as the wise teacher.

Battle-tested and pragmatic, Shamir establishes herself as someone who lives in the real world, is utterly reliable, and is a very welcome safe haven for those who need an occasional break from Three Houses‘ soap opera. (Patrick Murphy)