What is the Best The Legend Of Zelda Game?
There is hardly a more beloved franchise in all of video games than The Legend of Zelda, but though so many of its entries are at the top of many players’ lists of all-time favorites, how do each of the titles stack up when pitted against each other? After a lengthy voting process involving several members of our staff (and a complicated point-tallying system), we here at Goomba Stomp have finally come up with a ranking of our favorite Zelda games. These are not in the order of best to worst but instead, they are the ones we love from least to most! Without further Fi-like explanation, here is the list of our favorite Zelda Games:
Editor’s Note: We decided to omit spin-offs and obscure titles and focus solely on the main series. The cover image comes courtesy of Nintendo of Europe.
17. The Legend of Zelda: Four Swords Adventures
Nintendo would have you believe that The Legend of Zelda: Four Swords Adventures is a cooperative game where you can come together with your friends and experience all the joys of dungeon crawling together. In truth, it’s actually a crucible that tests even the greatest of friendships and tempts all players into committing atrocities against their fellow players.
Now, it’s all well and good to just play the game as it is intended to be — but that’s not getting the full depth out it. Oh no. Until you start using the feather to strand your friends across chasms, making it impossible to progress, you haven’t really played. Until you start trapping friends in tiny rooms with bombs, you haven’t lived.
Because, in truth, the game isn’t that hard — especially with four people. What makes it really fun are the resultant fireworks that pop off when the egos of four friends clash together. Did your buddy just nab the item you want? Screw that! Knock him into the void over and over. When he complains, laugh. When your other two friends try to intervene, make them share the same fate until justice is served. Then, after five solid minutes of everyone else begging for mercy, consider stopping so you can move to the next frame. After that, prepare to spend the next five minutes running away from your friends who want to do you harm. It is merely the circle of life.
And that’s why Four Swords is great. Not because of its excellent level design or the cool connectivity between Game Boys and the Gamecube, but because of the way it tricked friends into torturing each other for hours on end. (Jason Krell)
16. The Legend of Zelda: Spirit Tracks
The Legend of Zelda: Phantom Hourglass was a game with good ideas, but held back with a few big problems. Spirit Tracks, on the other hand, builds on its precursor and fixes those problems to end up being one of the finest portable Zelda titles. Though the new system of traveling on your train initially feels more constricting than before, it still provides a sense of exploration and discovery by unlocking railways and expanding the map. The game also has more interesting items for puzzle solving, with the sand wand and the whip being notable standouts. It also offers more in terms of a narrative worth getting invested in.
As is typically the case, Zelda finds herself in a predicament, and though this inciting incident appears to turn her into a ghost, she actually ends up hanging out for the duration of the game as Link’s new companion. As crucial a character as she is to the plot, this is one of the first times where she actually gets to breathe and spend time with the main character who, despite not talking, still shares great chemistry with Zelda. They also allow for some side characters, notably one of the antagonists, Byrne, to have proper character arcs and a backstory.
Though it still has a similar “central dungeon” mechanic to Phantom Hourglass, they don’t force you to trudge through old areas, nor is it attached with a time limit. And with Zelda in her ghost form, she’s actually able to take over the bodies of those invincible monsters from before, which not only makes the game feel fairer, but it also adds a whole new mechanic of managing two characters at once.
It may have come out late in the system’s life cycle, but it’s a solid and underrated title that deserves a second look. (Daniel Philion)
15. The Legend of Zelda: Minish Cap
To be clear, The Legend of Zelda: The Minish Cap isn’t a bad game by any means. It’s not even a game that’s undermined by certain key flaws. It’s a perfectly functional entry that doesn’t betray the design philosophy that the Zelda series is known for. But mere competence can’t make up for the fact that this game is extremely forgettable.
This version of Hyrule doesn’t stand out as a particularly unique world to explore, instead relying on the standard location tropes. The characters bring little to the table, with your new companion, Ezlo (not to be confused with Assassin’s Creed’s “Ezio”), being more obnoxious than endearing, and the new villain, Vaati, lacking the presence of Ganon. Zelda herself also has no interesting role to play beyond being a typical damsel in distress.
The major new idea this game brings to the series is the shrinking mechanic, which may have been interesting if it had been offered with more freedom. In practice, you can only shrink in specific places, which makes this less of a fun new way to explore, and more just as a gimmick to set up specific puzzles.
That said, there are still some clever puzzles, and shrinking does offer a unique perspective. Though it’s a dull boss fight, there’s something to be said about taking those easily killed Chu Chu’s and making it more daunting by changing your size. In the end, Minish Cap proves that there’s more to the Zelda experience than the formula itself; there’s a spark or sense of wonder that they need to incite in the player to make them truly resonate. (Daniel Philion)
14. The Legend of Zelda: Oracle of Ages
The Legend of Zelda: Oracle of Ages is the sister game to Oracle of Seasons, both of which are the portable successors to Link’s Awakening DX. Both games share a lot in common with Link’s Awakening, but each took a different route in how it presented its gameplay, Oracle of Ages focused on puzzles and tried to find interesting ways to get the player to think about their surroundings and their inventory, as well as giving the player a lot of items that interacted with the environment rather than with enemies.
On a personal level, Oracle of Ages resonates with me a lot, as it’s the version I had when the two games originally came out. I remember being thoroughly surprised by the boss of the second dungeon, Head Thwomp, as it was a battle based around timing (something I wasn’t very good at when I was ten years old) and did not require the use of the sword, instead making use of bombs. Many of the boss battles in Oracle of Ages followed this trend of not using the sword as your main damage-dealing item. While today that’s not much of an accomplishment for a Zelda title, when the Oracle games were coming out the series was still establishing its footing in 3D, and many bosses in the top-down games were still focused primarily on sword-based combat. Oracle of Ages also has one of my personal favorite items, the Seed Shooter. Intended to be Ages’ version of the staple bow/slingshot, the Seed Shooter is able to ricochet various types of ammo off walls to hit targets. While this is implemented in some puzzles, it’s not carried throughout the game, and ultimately you can still just stand in front of something and spam seeds like rapid-fire arrows.
The Legend of Zelda: Oracle of Ages is an interesting example of how to experiment with an IP, even if some of its most interesting ideas are not fully realized. (Taylor Smith)
13. The Legend of Zelda: Oracle of Seasons
The Legend of Zelda: Oracle of Seasons is the action game anti-thesis to Ages‘ puzzle-focused gimmicks. Many of the bosses in Oracle of Seasons are reworks or recycles of bosses from the original The Legend of Zelda or other titles. This is probably because when Capcom made their original pitch to Nintendo about working on a Zelda game, it was meant to be a Game Boy remake of the original. Rather than rely on a lot of gimmicks, bosses were more about recognizing cycles and patterns and then punishing accordingly. This focus is reflected in the gear Link can acquire. In Ages, the Seed Shooter allowed for new creative ways to solve projectile based puzzles, but the Slingshot in Seasons serves roughly the same purpose as the Bow and Arrow in any other top-down Zelda.
In order to obtain the true ending in either Oracle of Seasons or Oracle of Ages you would need to link the two games together via a password. If you were lucky enough to own both copies of the Oracles titles it was as simple as completing one game, writing it down, and starting the next, but for the not so lucky it required you to either have a friend who had the opposite title. Thankfully, this problem has sort of been remedied with the two games being put on the 3DS Virtual Console. While Oracle of Seasons was the preferred version here at Goomba Stomp, both titles are great in their own ways. If you’ve yet to play them, I highly recommend checking both out. (Taylor Smith)
12. The Legend of Zelda: Phantom Hourglass
In a many ways, this game should be a lot better than it is. It was the first Zelda game on Nintendo’s dual screen device, and it made use of nearly every feature on the system. The touch screen allowed you to attack enemies in a direct and interesting way, and you were able to write notes on your map screen and chart out your course when sailing across the sea. It also felt a lot more inspired than its portable predecessors by having a much larger world to explore and more out-of-left-field puzzles (including a devilishly clever one where you had to put the DS in sleep mode).
With all that going for it, why then would it be so low on this list? One reason: the Temple of the Ocean King.
The Temple of the Ocean King is possibly the worst/least fun idea of any Zelda game. What it entails is that every time you beat a dungeon you have to go back to this main dungeon to unlock the next area. It’s bad enough that this area is filled with invincible monsters that will send you back to the start of the room after one hit, but in subsequent visits they also have you go through areas you’ve already been to in order to get deeper in the dungeon. It gets very repetitive very quickly and just wastes your time, which happens to be limited here just to add a little more unwanted stress.
It’s also a pity that, in a game’s that meant to be a sequel to the excellent Wind Waker, it has next to nothing carried over from that adventure. The one thing they do carry over is Tetra, who gets relegated to “Damsel in Distress” in the first few minutes. She was an interesting enough character to merit her own game, so having her return just to be taken out of the equation that early can’t help but feel like a letdown. (Daniel Philion)
11. The Legend of Zelda: The Adventure of Link
The second installment in The Legend of Zelda series titled The Adventure of Link is often considered the black sheep of the family. Despite being one of the best-selling games in the entire series, many fans hate it and with good reason. The game is tough and I do mean tough. Players must be prepared for repeated failure when sitting down to play Zelda II, but that is sort of what makes the game so great. The sense of accomplishment a player feels when finishing Zelda II is perhaps unmatched by any other game in the NES library.
The Adventure of Link was a bold and radical departure for the series, but it has its supporters and many fans will argue it is not only one of the five best games released on the Nintendo Entertainment System but the most punishing game of the 8-bit generation. It offers players one of the most engrossing gaming experiences available on the console and features some of the best boss battles the series has to offer. The Adventure of Link was an incredibly assured attempt to rewrite the rules and introduced many elements that would become commonplace in future Zelda games a larger focus on storytelling, as well as sidequests. Yes it is difficult and yes it is different, but for better or for worse, that is what makes it stand out from all the other entries in the series. Zelda II is unique, but frustrating – flawed but brilliant – and without question, an important game that helped define what the Zelda games would ultimately be. (Rick D)
10. The Legend of Zelda: A Link Between Worlds
Nintendo has always been skilled at linking to the past while looking to the future, creating a bridge to franchise evolution, and that philosophy has rarely been better realized than with the 3DS’ The Legend of Zelda: A Link Between Worlds. A sequel of sorts to the seminal SNES classic, this adventure covers basically the same physical ground, but takes much of the established franchise elements of the last 20 years and chucks them out the window. By ditching dungeon rewards and instead allowing players to rent (with the latter option to buy) the hookshot, bow, boomerang, three magic rods, and every other weapon or tool usually reserved as a prize, Nintendo was able to concentrate on what the beloved series used to do best: exploration. The freedom to go wherever one wanted in a Zelda game was a concept so old that it was almost novel, and A Link Between Worlds was a breath of fresh air — at least before the next one came along.
Thanks to impeccable puzzle designs, a lively world full of character, and a brilliant mechanic that sees Link turn himself into a 2D painting that can traverse walls in order to solve puzzles and reach new areas, the game still is. A Link Between Worlds invokes nostalgia in order to mess with fans’ minds, using its new gameplay concepts to twist them into thinking outside the box, producing some of the best “aha!” moments in the series. Gorgeous top-down visuals make the old new again, tight controls are ever-so-satisfying, and a clever story plays on expectations, but The Legend of Zelda: A Link Between Worlds best lives up to its title by bridging the gap between the comforting formula of days gone by and the promise of exciting things to come for Nintendo’s hallowed franchise. (Patrick Murphy)
9. The Legend of Zelda: Skyward Sword
Fans had to know that Nintendo was up to something truly special when they announced that Skyward Sword would officially become the first game in the Legend of Zelda timeline. Fortunately, Nintendo delivered on all of those expectations and more with The Legend of Zelda: Skyward Sword. A game that took the revolutionary/gimmicky motion controls of the Wii to their fullest extent, Skyward Sword is almost worth playing as much as a proof of concept as it is for its breathtaking adventure and wholly original take on the Zelda mythos.
Set among a series of floating islands that eventually give way to a shattered world below, Skyward Sword both echoes the world design of one of the best Zelda titles in history in the form of The Wind Waker, and calls to mind the scale of the Final Fantasy series in equal measure. Throw in some gorgeous art design and one of the most concise plots in the franchise, and you’re left with a truly underrated classic, easily one of the best games in the series. (Mike Worby)
8. The Legend of Zelda: Link’s Awakening
The Legend of Zelda: Link’s Awakening was the first portable title in the series, and is easily one of my personal favorites. It was the first Zelda title to make an attempt at exploring Link’s character beyond that of the boy called to action. For once, Link is not seeking to stop Ganon and save the princess, kingdom, or Triforce. Instead, his is a journey of self-discovery, led by a desire to leave the island of Koholint that he has been shipwrecked on. Much of Koholint is full of life, especially when compared to the desolate wasteland that was the original Legend of Zelda and horribly mangled Dark World of A Link to the Past. It’s a breath of fresh air, with plenty of different-looking areas and regions. Overall, the game’s aesthetics’ are great, and the story they present is something that was only ever (theoretically) tackled again once.
Link’s Awakening was also the first top-down Zelda to make use of jumping. While The Legend of Zelda and A Link to the Past both used pitfalls as ways to impede progress, they never had a clear answer to them. This time Link is granted the gift of jumping from an item called the Roc’s Feather, the very first dungeon item in the game. By combining the Roc’s Feather with the Pegasus Boots, Link could clear even bigger gaps and jump over large obstacles. Link’s Awakening is an amazing Zelda title not only for its plethora of new ideas, but for also setting new benchmarks for later games in the series. (Taylor Smith)
7. The Legend of Zelda
Shigeru Miyamoto’s masterpiece laid the groundwork for almost every action-RPG that came after it, and it has become a staple franchise for Nintendo that is still going strong, 30 years later. When it was released, The Legend of Zelda was a first in so many categories. Not only was it an early example of open world and non-linear gameplay, but it also introduced a battery backup to save your progress. It served as the foundation of many modern adventure games, introducing now-basic concepts like dungeon maps, utility equipment, and boss formulas that we still see used today.
The Legend of Zelda has aged surprisingly well thanks to a brilliant soundtrack, creative visuals and masterfully layered adventure. And while it’s unapologetic in its open world approach, the lack of hand-holding might be what makes it so great. It is, without a doubt, one of the most influential games of all time, and one of the greatest games ever made. It was ahead of its time and it stands the test of time. Very few games can make that claim. (Ricky D)
6. The Legend of Zelda: Twilight Princess
The adult Link portions of Ocarina of Time got gamers’ appetites whetted for a more badass version of the green tunic-wearing hero, one who could stand tall against the inevitable evil forces and whose sword slashed viciously, cutting a swath through them. Wind Waker was not that, and though looked upon now as a masterpiece, its seemingly lighter tone at the time sparked a little rebellion. Fans of Nintendo’s legendary series were growing up, and just like with Star Wars or comic books, they wanted to hold onto their innocent past while also having it reflect their pragmatic present, something that kept in tone with their rising adult pessimism, something truer to the gloomy outlook that only comes with maturity. In short, as eventually happens with everything fun or innocent that fans go crazy for, they wanted something darker.
I was no different in those days, and so when the first images of Link wielding his blade from atop his trusty steed, surrounded by grossly disfigured moblins and bathed in eerie twilight first surfaced, I was instantly sold. Twilight Princess is no kiddie quest with bright flowers and snot-nosed munchkins; there is war, pain and suffering, noble sacrifice, and trippy weird visions of greed, death, and super-creepy-looking laughing girls slowly descending headfirst from the sky. The land has been poisoned and the people that populate it struggle against the shady sickness taking hold. A somber tone pervades throughout to the melancholy end, few moments of true happiness relaxing in the goat paddock found in between.
Never has a Zelda game relied so much on imagery to set its tone, never have the dungeons been so vast and monstrous, and never has the journey seemed so mythic. Twilight Princess feels like everything Ocarina of Time wanted to be, a fulfillment of years of fan expectations. It hosts the best sidekick in the series, the widest assortment of attacks, some of the most clever dungeons (Snowpeak’s crumbling mansion, the Gerudo desert’s Arbiter’s Grounds) and unique items (magnetic boots=awesome, spinner surfing=fun), and a massive amount of gameplay for those willing to explore every nook and cranny tracking down Poes and bugs. I personally have never bothered with Agitha or the golden Jovani on any of my many playthroughs, but it’s nice to know that there’s more going on in Hyrule than just the main quest.
With an epic setting accompanying the tragic feel, Twilight Princess gave fans exactly what they wanted, and in doing so delivered one of the most powerful entries in the franchise. (Patrick Murphy)
5. The Legend of Zelda: Wind Waker
Director Eiji Aonuma’s swashbuckling adventure The Legend of Zelda: The Wind Waker, set 100 years after the events in Ocarina of Time, stands as one of three best games released in the series thus far. Along with the N64 classic and A Link to the Past, The Wind Waker masterfully baits and hooks players with its perfect blend of polished design, tightly crafted controls, and beautiful presentation. Utilizing a completely new look with cel-shaded graphics, the game casts players in the role of a familiar young Link, who sets out on a long voyage across troubled seas, into dark dangerous dungeons and against ruthless foes to save his kidnapped sister. At the time of its release, it was immediately evident that Wind Waker was going to be different from the previous Zelda titles, yet it’s surprising that the grandeur of The Wind Waker‘s bold, thick strokes, lusciously saturated palette, and notably boyish protagonist with his humongous, expressive eyes ever caused so much controversy back in 2003. Over a decade later, the game’s legacy remains defined by its visuals.
Players with keen eyes and an appreciation for art will know that Nintendo doesn’t just do things for the sake of pure experimentation. When developing The Wind Waker, Nintendo not only created a hugely stylistic world down to every last detail, but also pushed the power of Gamecube to do so. Upon closer inspection, cel-shading clearly was the right choice. This is a game that emphasizes the vastness of the open ocean and the open sky, and with the application of cel-shading, every wave, every gust of wind is beautifully pronounced against a backdrop of colorful hillsides, small villages, and coastal locales. And like all previous titles in the series, the dungeons prove to be the most enjoyable aspect of this game, despite having so few. It is in these dungeons that Wind Waker shines. The true beauty of the visuals stands out, as each dungeon is brought to life with an astounding amount of detail. It’s ultimately not difficult to see why The Wind Waker has become something of a classic in the years since its release. Overall it is a huge achievement in every way, with a classic mix of sword-swinging action, perplexing puzzles, stirring storylines, vibrant art, evocative soundtrack, a cast of colorful characters, beautiful melodies, and a fantastic battle system that propels the adventure and exploration. For many, the Zelda brand represents the pinnacle of gaming, and The Wind Waker stands tall, side by side with the very best. (Ricky D)
4. The Legend of Zelda: Majora’s Mask
How exactly do you make a follow up to Ocarina of Time? Well, apparently you do it by making one of the few games in the series that doesn’t involve Ganon, you limit Zelda to one tiny appearance in a flashback, and you all but forget about the Triforce. Don’t be fooled, while Majora’s Mask is a clear departure from the typical Zelda formula, it’s still very much a Zelda game at heart, and to me (and at least a few others) it ranks right up there as one of the absolute best games in the franchise.
Taking place a couple of months after the events of OoT, Majora’s Mask kicks off with our good friend Link searching a forest for an old friend, when he stumbles upon an imp wearing a bizarre mask. The nefarious creature, known as Skull Kid, steals Link’s horse and leads him to a parallel version of Hyrule known as Termina. From there Link embarks on one of his typical quests; there are dungeons to explore, puzzles to solve, and bosses to beat, all standard-fare for the Hero of Time. The game is very similar to Ocarina of Time in a lot of respects, as gameplay between the two is near identical, and Nintendo reused also of graphical assets from OoT, so they share many visual similarities. However, despite all their commonalities, Majora’s Mask sets itself apart with its three-day time cycle, and more importantly, its ominous tone.
From Skull Kid’s creepy laugh during the game’s opening to the eerie final boss battle, Majora’s Mask is equally bizarre and unsettling from start to finish. The first time you witness Link transform when putting on a mask is undeniably jarring due to his screams of pain and the poignant visuals. The Happy Mask Salesmen seems like an ally, but one can’t help shake the feeling that he’s hiding malicious intent, which temporarily seeps out when you make him the slightest bit angry. The ever-looming harbinger of death that hangs in the sky, inching closer and closer as the clock winds down, creates a menacing sense of tension that’s not really present in other games in the series. And on top of all that, perhaps the most disturbing aspect of the experience is the game’s world itself. Where exactly is Termina located? Is it a parallel dimension, or perhaps some sort of purgatory state? Why are so many characters from OoT’s Hyrule also in Termina? The name given to the land makes it seem like it was doomed since its very inception.
As good as Ocarina of Time is, it succeeds by employing a somewhat simplistic and expected tone and pace. Majora’s Mask takes a much riskier route, creating an awe-inspiring yet disturbing world, resulting in perhaps the most unique and mesmerizing Zelda adventure to date. (Matt De Azevedo)
3. The Legend of Zelda: A Link to the Past
How many tales have been told about players popping in A Link to the Past only to be blown away by the game’s opening, an ominous start that begins with a psychic warning of danger, continues through a nighttime thunderstorm, and ends with the death of Link’s uncle and the rescue of Princess Zelda (so soon!) from her imprisonment? Younger gamers may get sick of hearing it, but the reason these moments and something as simple as rain stands out in the minds of those who experienced it at the time is because they were revolutionary, the start of a powerful new kind of storytelling in Zelda and video games in general. Never before had we seen something set such a cinematic mood as those streaking droplets illuminated by flashes of lightning, and from then on a standard was set that see games, for better or for worse, pay more attention to narrative.
But those atmospheric and still-gorgeous 16-bit visuals would have meant nothing if the game wasn’t backed up with an outstanding adventure at its core, and A Link to the Past‘s gameplay and puzzle-solving is where this turning point in the series still really shines. Swinging the sword felt infinitely better than the unsatisfying butter knife that Link wielded in his prior quest, and the various items and weapons acquired throughout were used far more frequently and cleverly. And while the previous entries in the franchise had certainly made their mark with different sorts of takes on exploring the land and battling enemies, it wasn’t until A Link to the Past, that the formula and feel that would define the series henceforth would finally come together. Puzzle-solving became the way to progress through dungeons, the idea of dual worlds or parallel dimensions came into play, and suddenly there were tons of empty bottles to be discovered, including from a guy under a bridge who has an abnormal friendship with birds.
Out of the entire franchise, I’ve easily played A Link to the Past as much as all the others combined, as its efficient pacing and beautiful world are a comfortable joy to return to, where I (unbelievably) keep noticing new surprises each time I take up the Master Sword. (Patrick Murphy)
2. The Legend of Zelda: Breath of the Wild
The Legend of Zelda: Breath of the Wild is a masterclass in open-world design, and with its release comes a true watershed moment in gaming history. The result is nothing less than magical. It artfully blends the best bits of the franchise’s thirty-plus year history and produces a sandbox so full of mystery and so full of adventure, it could take you well over 100 hours to uncover most of its secrets. What we have here is the most ambitious title in the history of the franchise, an epic journey that quivers with anticipation, wonder, surprise and excitement. It never gets old. It never gets tiring. There’s not a minute that goes by in which you’ll want to put down the controller, because Breath of the Wild keeps players constantly curious and fascinated by the world around them. There’s truly something unusually haunting and engrossing about the game, and whatever your opinion on the Nintendo Switch, Breath of the Wild is arguably one of the greatest games ever made.
Since its arrival in 1986, the Zelda series has always pushed the technical boundaries of whatever console it has graced, and Breath of the Wild continues this tradition (times two). Epic, mythic, and simply terrific, Breath of the Wild brings a new kind of experience to fans across the globe. In return, it demands your attention. It’s a landmark in video games such that labeling it a masterpiece almost seems inevitable. In the end, however, most of what makes Breath of the Wild so beloved is Nintendo’s determination to constantly challenge themselves while crafting an unforgettable experience that also doubles as a commentary on the freedom of playing on the Switch. That a game of this magnitude can be playable anywhere you go is a remarkable feat. (Ricky D)
1. The Legend of Zelda: Ocarina of Time
You won’t find a gamer alive who doesn’t remember the first time they played The Legend of Zelda: Ocarina of Time, and there’s a very good reason for that: OOT isn’t just regularly counted as one of the best Zelda games of all time, but it also routinely finds itself in the conversation for the best games ever made. As a trendsetter and pioneering effort for 3D adventure games, action titles and RPGs alike, Ocarina of Time holds a special place in a lot of gamers’ hearts, particularly those who were young enough to have a lot of imagination in them upon its initial release.
It was a game that opened a tiny door in our minds when it first introduced us to a young Link in Kokiri Forest, and then wrenched that door all the way open a mere hour later when we were unleashed onto the full expanse of Hyrule Field and were gifted with a world to explore which was bigger than life. If, through some very strange events, you have still managed to not play OOT then you are doing yourself a disservice as a gamer. With awe-inspiring environments, a cast of memorable characters, a charming story, and one of the most epic adventures ever experienced, The Legend of Zelda: Ocarina of Time is a game that will stick in your grey matter even decades from now, and it is well deserving of its place there. (Mike Worby)
Let us know your rankings in the comments below!