Red Post On Escher Street Review It’s no secret I absolutely adore Sion Sono’s unique brand of…
film
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Featuring not one but two Sia songs, this feel-good tale takes cliché head on and builds a triumphant story.
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AnimeFilm
‘One Piece: Stampede’ is an All-Star Behemoth Buckling Under Predictability
by Harry Morrisby Harry MorrisDoes One Piece: Stampede sail all the way to Laugh Tale, or remain anchored in an East Blue of mediocrity?
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While the completely fictional world creating in ‘The Wanting Mare’ is astonishingly rendered, its story leaves a lot to be desired.
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Berlin Film FestivalFilmFilm Festival
Berlinale 2020: ‘Gunda’ Will Make You Rethink Your Meat Consumption
Through stark black-and-white images, the unorthodox ‘Gunda’ forces you to recognise the sentience of animals.
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Quentin Tarantino’s latest cinematic installment Once Upon a Time in Hollywood has been receiving rave reviews since…
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‘Greta’, inspired by the famous performance by Garbo in ‘The Grand Hotel,’ shares its inspiration’s lifeless quality.
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Berlin Film FestivalFilm
Berlinale 2019: ‘The Awakening of the Ants’ is a Fine Study of Personal Change
‘The Awakening of the Ants’ subtly critiques Costa Rican gender relations through one woman’s personal change.
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‘Far From Us’, now premiering at the Berlinale Forum Section, is a truly life-draining cinematic experience.
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The perils of always trying to do the right thing are brutally examined in Retrospekt, a domestic violence…
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Tracing gender structures from the womb to marriage, Normal shines a light on how gender is constantly…
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‘Divine Love’ is as sexually graphic as it is aesthetically pleasing, yet it has little substance beneath surface thrills.
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‘The Last to See Them’ has a fascinating idea at its core, but is let down by its uninteresting characters and storyline.
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‘Kinder’ offers a fantasy of youth in the German capital, which doubles up as an advert for the city’s transit system.
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‘Demons’, a horror comedy from Singapore, only lands half of its jokes and even less of its horrors.
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‘Vanishing Days’ joins ‘Crosscurrent’ and ‘Long Day’s Journey into Night’ as another beautiful and poetic Chinese film.
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If you like films that stretch the very limits of what French cinema can do, don’t watch ‘Jessica Forever.’
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‘Selfie’ takes an unorthodox documentary approach, allowing its subjects to film themselves through their iPhones.
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’37 Seconds’ is a touching film about living with cerebral palsy, that beguiles thanks to its unconventional narrative.
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Berlin Film FestivalFilm
Berlinale 2019: ‘Progress in the Valley of the People Who Don’t Know’ is a Quiet Triumph
The Valley of the People Who Don’t Know refers to the area near Dresden in East Germany…