Fantasia Film Festival 2018

Focused on the youth of Japan, Wilderness is an oddly assembled film. Its main narrative centered around…

There’s a whole underground world of deviant sexual play out there that most people don’t encounter, and…

Released originally as a ten-episode series for Amazon, Tokyo Vampire Hotel is the kind of film that could only…

Akin to last year’s The Florida Project, Tigers Are Not Afraid centers around youth trapped in an inhospitable environment. They are…

Mean-spirited, bloody, and over-the-top; these seem to be the driving forces behind the creation of Puppet Master: The…

Battle rap, the musical subspecialty that’s better known today for its parodies, makes a triumphant return in…

‘Heavy Trip’ has got enough jokes to sustain itself, and the music is all really good — if you like metal.

The internet is a scary place. But it’s just the internet, right? At least, that’s what you…

Destiny: The Tale of Kamakura is a film displaced in time. It seems to yearn for a…

From the title alone, you might expect The Man Who Killed Hitler and Then The Bigfoot to be a…

Stênio talks to the dead, and the dead talk back. A coroner in the crime-ridden city of…

The Fantasia Film Festival’s 2018 installment has already had some incredibly strong entries this year, and while…

What begins as a mystery involving a missing body and a tormented detective devolves into a boring…

‘Pledge’ succeeds in large part due to the strength of Weiner’s screenplay about a horrific fraternity, as well as the talents of the actors involved.

While ‘Satan’s Slaves’ doesn’t quite reach lofty heights, it carries itself with enough confidence and tension to satisfy horror fans.

One of the highlights of Fantasia 2018 is this update on Alfred Hitchcock’s “Rear Window,” now transported to a crime-riddled neighborhood in South Africa.