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Sordid Cinema Podcast

Sordid Cinema Podcast #590: Anthony Perkins Gets away with murder Psycho III

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Psycho III Podcast Review

Psycho III Review

Reviving Norman Bates for the decade of slasher movies was a no-brainer, but Psycho II dove too deep into irrelevant lore and forgot about the fun. Thankfully, director and star Anthony Perkins righted the wrongs of Norman’s past with the wickedly entertaining Psycho III, an overlooked gem lost in a sea of sequel apathy. Artful filmmaking, economical storytelling, a talented cast, and a wonderful lead performance don’t care that movies with the number three in the title aren’t supposed to be good. Psycho III might not live up to the legendary reputation of Hitchcock’s masterpiece, but it’s a genuinely fascinating look at an iconic character from the man who knew him best. It’s also a solid slasher flick with a dark sense of humor .

This week, Rick, Simon, and Patrick don’t make the same mistake 80s audiences did — we spend a night at the Bates Motel, soaking in all the weirdness. Topics up for discussion include brilliant callbacks, creative transitions, the burden of predecessors, bloody ice cubes, and very well-placed lamps. Sure, there’s one scene most of us would change (exposition dump), but so much more we’d keep preserved like a stuffed bird. For all this and more, have a listen!

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Launched in 2007, Sordid Cinema is one of the longest-running film podcasts. Following a long absence (let’s call it an extended break), Ricky D is back on the Sordid Cinema beat, accompanied by his new co-host, Patrick Murphy. The Sordid Cinema Podcast makes its return, with a new format that sees hosts Ricky D and Patrick Murphy discussing some of our favorite genre films over the years that may have flown under the radar for some audiences. This new version of the long-running show will focus more on discussion and less, on reviews, as we hope to examine the selections from a multitude of angles and break down what makes these films so special. Brought to you by the former editors of Sound on Sight, Sordid Cinema is Goomba Stomp’s Film and TV section and a leading source of movie reviews, and discussion from the world of international, independent, cult and genre cinema. We cover film festivals around the world including Cannes, TIFF, Fantasia, NYFF, Tribeca, Fantastic Fest, SXSW, FNC, Venice, Berlin, and more.

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