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‘Promare’ Feels Like the Younger Brother of ‘Gurren Lagann’

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Gurren Lagann is a cult classic directed by Hiroyuki Imaishi, and written by Kazuki Nakashima. It has over-the-top action, constant bravado, quotable lines, and non-stop escalation into madness. Subtly is not a common word used in Imaishi and Nakashima’s vocabulary, and luckily, fans of their work will not be disappointed with their newest animated movie, Promare. Hot-headedness (literal and metaphorical) and grandiose speeches are rampant when Promare kicks logic to the curb and goes beyond the impossible in its own unique way. What it lacks in a cohesive story, it makes up for in elaborate visuals, eye-popping action, and charismatic characters.


No matter how many times Spider-Man or Superman saves someone from a burning building, the real heroes are the firefighters; they are the ones on the ground, first on the scene. In the world of Promare, firefighters are not just stopping regular old fires; they are tasked with extinguishing supernatural infernos caused by the Burnish — humans mutated to become pyrokinetics. Called the Burning Rescue, they heroically save any and every civilian threatened by these eternal flames, doing so with advanced gear, amped-up water cannons, and hand to hand combat. In addition, they have high-tech equipment that includes drones, an armory of ice and water-powered firearms, and numerous models of mech suits.

These heroes are tasked to stop the flaming terrorists and the havoc they wreak, and in the first act of Promare, a Burning Rescue team led by a young man named Galo take on one of the most feared Burnish terrorists. They use their pyrokinesis to give themselves black, spiky armour and motorcycles that would make Ghost Rider jealous, and after a rousing success with eleventh-hour powers, Galo floats in his victory. Soon, the more militaristic, anti-Burnish organization called Freeze Force barges in and detains the Burnish, taking some of the credit and diminishing Burning Rescue’s efforts. This testosterone-driven act kindles a small spark in the back of Galo’s head, later pushing him to discover a conspiracy that suggests not all is as it appears to be.

Galo is essentially a carbon copy of Kamina from Gurren Lagann. He’s a shirtless, blue-haired, brash young man who jumps in head first to save everyone, and makes sure he looks cool doing it every time. His peers and rivals mock his intelligence and audacity, but in a rare twist, Galo immediately proves that his not simply all bark; he is also a talented rescuer, and is able to stop multiple Burnish solo. Eventually, he develops a rival with Lio, a blonde-haired, light-eyed, somewhat effeminate villain with his own code of honour. He also runs across Kray Foresight, the governor, who is appreciative of Burning Rescue and all their work. However, though Burning Rescue is comprised of many equally talented members, they are mostly pushed to the background outside of being given a few moments to shine.  

Promare takes advantage of new animation styles, and combines both hand-drawn and computer-animated designs. The vapourwave art style is bombastic and chaotic, while the angular designs of the Burnish’s powers add a little edge to the action scenes, guaranteeing that there is no wasted space on screen. The movie runs from inferno-hot to sub-zero cold with no in-between; one would expect nothing less from Imaishi and Nakashima.

Walking into this film and expecting some kind of subtly, even when it comes to the most mundane of actions, is expecting far too much. In classic fashion, the filmmakers keep making every scene more grandiose and epic. Fight scenes aren’t simply adding an extra bad guy or giving the hero a handicap; everything grows to an exponential scale. The moment you expect that Promare has reached its limit, suddenly everything goes to the extreme. But this does has its disadvantages, as subtly and clear explanations of events go by the wayside. The plot moves fast and glosses over the details of the world, history, and lore. Instead of questioning “why is this weird thing happening,” it’s better to accept that it’s happening simply “just because” — far better to just watch the bonker visuals and series of events. This pacing also makes it difficult for character growth, where relationships are created and destroyed on a whim, yet could have benefited more with extra content. It’s like the difference between the Gurren Lagann series and the movies. Sure, the movies cover a lot of ground, but they are very much more loud, operatic spectacles rather than the growing confidence of a young shy boy into a full-fledged legend.

Promare is certainly a movie that stimulates the lizard-brain neurons. It’s flashy, over the top, and outright ridiculous. The heroes and villains are operatic, and there is no nuance stored anywhere in the character’s development. But that’s why the movie is wonderful; the creators are able to depict these extreme levels of silliness, then lampoon and expand on it. There are even moments where the characters themselves have to acknowledge that this level of weirdness is actually happening. But that’s why this movie is spectacular — it’s loud, it’s big, but it’s 100% unfiltered fun.

Editor’s Note: This article was originally published on August 4, 2019 as part of our Fantasia Film Festival coverage. 

David Harris has lived in Montreal his whole life. He thoroughly enjoys discussing most subjects including the arts, technology, and good food. Being a fan of superheroes since he was young, it's surprising he only starting really getting into comics in CEGEP. He shows a great appreciation for good stories and dialogue, which suits his passions perfectly: television, movies, and graphic novels. As much as he loves the indie publishers, deep down he has always been a fan of the big two.

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‘Weathering With You’ Isn’t Quite the Storm It Wanted to Be

Makoto Shinkai’s Weathering With You delivers a gorgeous film that doesn’t quite resonate as much as it wanted to.

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Weathering With You Hina

Climate change and global warming have been topics of concern and discussion for years now, with melting ice caps and rising ocean temperatures being some of many signs. Director Makoto Shinkai — acclaimed the world over for his 2016 work Your Name — aims to show just how at the mercy humans are to the weather with his newest animated film, Weathering With You. Although he presents a visually stunning depiction of Mother Nature in all her various moods, Weathering With You ultimately lacks the storming power it seeks to bear upon its audience.

Tokyo has been having a particularly rainy year, seeing precipitation almost every day and nary a sight of the sun or clear blue skies. It’s during this unusual time that high school boy Hodaka arrives in the metropolis seeking escape from the suffocating life he had on his island. The young teenager naturally has trouble finding his bearings on his own in the oftentimes unforgiving hustle and bustle of the city. It’s in these early scenes that Weathering With You has some of its strongest moments, depicting the uglier side of Japanese society not often seen in anime, while also highlighting Hodaka’s strength of character to make it on his own. 

Weathering With You Hodaka and Hina

As Hodaka gradually carves out his own place in the city, he eventually has an encounter with a young girl named Hina. Matching her sunny and cheerful disposition, Hina has the ability to make it stop raining and have the sunshine in very localized spots by praying to the sky. In a place where the rain never ceases, it’s easy to see why Hodaka latches onto Hina to use for the greater good (while also making a little pocket change along the way).

“The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air caught by the leftover humidity.”

Gloomy skies and damp grounds can take their toll on one’s mood and psyche, which someone who lives in such a climate can surely relate to. Even the briefest moments of sunshine revitalize us and give a glimpse of the “light at the end of the tunnel.” Hodaka and Hina’s “100% Sunshine Girl” services to those in need of that light boldly underscore that fact, and make for a strong argument for how the weather affects us all beyond its objective physicality, along with providing some much-appreciated levity to the story. 

That power of weather is beautifully illustrated by CoMix Wave Films’ stupendous animation efforts. The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air, caught by the leftover humidity. Tokyo itself isn’t to be outdone either, with its streets running the gamut between peaceful neighborhoods to grimy and dark back alleys with dilapidated buildings. The animation is punctuated by the return of Japanese band RADWIMPS, who create numerous memorable tracks to complement the wild swings in mood that weather can elicit.

That makes it all the more unfortunate, however, that the greater narrative is so weak.

The progression of Weathering With You is made painfully obvious right from the outset of the story — so much so that it’s hard to wonder if it’s actually the set-up for a bait-and-switch. As a result, much of the first half of the film is simply waiting for the other shoe to drop, making it difficult to really settle in and become intimate with its characters. 

Weathering With you Hodaka and Hina

This would be less of an issue if the cast had smaller interactions that were a delight to watch, but they fall short in that regard as well. All of the characters have a charm to them for sure — with Hina’s younger elementary school brother, Nagi, putting modern playboys to shame being a particular standout — but the story never quite makes a compelling case as to why they are as close as they are, especially Hina and Hodaka. They’re fun enough to watch be together, but don’t quite make that emotional attachment with the viewer that the story wants to create.

That lack of an emotional connection is distinctly felt in Weathering With You’s second act, when unnecessary confrontations and bizarre plot directions converge to create an artificial sense of stakes amidst a central conflict that would have been fine on its own. What’s meant to strengthen the impression of the characters’ bonds instead cheapens it, undermining the already faulty progress the first half did make. The result is a narrative that’s hard to care about, although its ending does leave the viewer with some potentially interesting questions to ponder.

Weathering With You is far from a bad movie, however. It has a clear direction and vision with a message to say about our climate crisis. The characters are endearing enough, and there are a handful of heartfelt scenes because of that. It also cannot be understated just how drop-dead gorgeous the animation is. The story, however, is simply too straightforward for its own good, resulting in an experience that is at times enjoyable, and at others plain boring.

And that’s only when being judged in a vacuum on the movie’s own merits. When compared to Shinkai’s recent masterpiece that is Your Name, it’s hard to see Weathering With You as anything but a disappointing follow-up. That’s perhaps the film’s greatest weakness, but fortunately, it’s one that Shinkai’s next work won’t have, and we can still look forward to it because of that fact.

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How Rimuru Tempest Changed the Game for Isekai Protagonists

That Time I Got Reincarnated as a Slime shines within the vast sea of generic isekai thanks in no small part to protagonist Rimuru Tempest.

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that time i got reincarnated as a slime

The core premise of the isekai genre–a character being transported from their everyday life on Earth to a parallel universe–has become wildly popular for a reason: it’s an immensely appealing fantasy. Just as audiences everywhere fell in love with the seminal Spirited Away in the early 2000s, it’s still exciting to fantasize about discovering a new world and going on all manner of crazy adventures. However, the incessant flood of new isekai every season to capitalize on this trend has resulted in some of the most generic, overly-manufactured protagonists in any genre.

Though this sea of formulaic main characters is vast, it makes it all the easier to recognize when one bucks the typical conventions and actually proves that there’s room for unique takes on the genre. That Time I Got Reincarnated as a Slime adheres to a few cliches, but it also manages to set a new bar for what a captivating isekai protagonist can be.

Rimuru in That Time I Got Reincarnated as a Slime

Breaking the Mold

That Time I Got Reincarnated as a Slime is as wholesome and optimistic an anime as they come. The tone can be deceptive at first; when Satoru Mikami is suddenly stabbed when trying to protect his junior, his dying wish is for his computer’s hard drive to be destroyed. But after being reincarnated as a slime–and gaining the new name Rimuru Tempest–his true desires become clear: world peace and a simple, comfortable life with friends.

What’s immediately striking about Rimuru as the main character is that he starts off as an average 37-year-old man. He spent his life working hard and appeasing his higher-ups to climb the corporate ladder. Shady hard drive aside, he lived a respectable and long life compared to the vast majority of protagonists in the genre. This significant age difference is evident in nearly every action and major decision Rimuru makes; he looks at situations practically before jumping headfirst into conflict.

That Time I Got Reincarnated as a Slime

When Rimuru gets a drink poured on him by a noble in a bar, for instance, he quells his anger in consideration of the bar and the friends around him. When someone asks for his aid in an impending battle, he pauses to go over all the available information and reaches a consensus among everyone before agreeing. And when protecting a goblin village from a pack of wolves, he doesn’t just mindlessly slaughter all the wolves; he looks for the way of least resistance (killing the leader of the pack) before ultimately integrating them with the goblins as equals. Though his human form looks young, it’s the wisdom behind his actions that makes those around him respect his leadership.

This is especially impressive considering just how overpowered Rimuru is. His transformation into a slime came with resistances to fire, cold, electric currents, pain, paralysis, and the ability to absorb, analyze, and take the form of anything he wants. In other words, he could go down the path of the typical shounen protagonist and solve his problems with his fists, but he never lets his overwhelming power dictate his decision-making process.

Rimuru meeting with his commanders.

Leading a Nation

That Time I Got Reincarnated as a Slime is as much about Rimuru’s adventures as it is about the rise of the independent monster nation he helps establish. Instead of running off in search of adventure, the little slime decides to nurture the goblin village he protected at the outset. He helps the goblins and wolves “level up” by naming them, shows them sustainable ways to gather food and build makeshift defenses, and even brings back dwarves to introduce blacksmithing and carpentry.

Through expansion, industrialization, and conflict, Rimuru manages to orchestrate the creation of his country in a way that’s genuinely believable. His ambitions for a peaceful and integrated world play out in his willingness to accept other goblin tribes, ogres, lizardmen, and even friendly humans in his country. Being able to rationally read situations makes forging alliances and negotiating with neighboring nations possible. When a major calamity threatens all life in the forest, Rimuru wastes no time in holding a summit and allying with other forest dwellers over a common interest.

None of this would be possible without the uncanny, Luffy-like ability to inspire a sense of trust and reliability in those he comes across. Just like the members of the Straw Hat Pirates follow Luffy out of respect and loyalty, Rimuru’s commanders follow him because of his sound judgment and dedication to seeing everyone in his nation be happy. It’s satisfying seeing members of Rimuru’s guard take personal offense when others talk poorly of him because it’s clear that he’s earned the respect he’s given.

If isekai is to continue growing in popularity and thriving long-term, room must be made for different types of protagonists. Be they depraved, refreshingly honest characters like Kazuma or upstanding yet easygoing leaders like Rimuru, both demonstrate how valuable it is to shake up the formula and try new approaches to the genre. If the constant barrage of isekai has bittered your tolerance to it as a whole, That Time I got Reincarnated as a Slime is well worth giving a shot.

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Anime Ichiban 23: New Decade, Same Questionable Tastes

Hatsune Miku at Coachella? Mangadex getting targeted for legal issues? People defending OreImo? 2020 is off to a crazy start!

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Welcome to 2020, Anime Ichiban listeners!

Lots of things have happened in the past few weeks, not the least of which is Hatsune Miku making her Coachella debut. After catching up on industry news, we take a look back at some of our more questionable choices in anime and how on earth we manage to defend them.

TIMESTAMPS

0:00 – Introduction and what we’ve been playing
17:46 – Hatsune Miku to Perform at Coachella
25:29 – Crunchyroll’s “Most Watched Shows of the Decade”
30:03 – Funimation’s Popularity Awards
38:13 – Wages in the Japanese Animation Industry
45:38 – Miki Yoshikawa’s New, Fan-Picked Serialization
47:08 – Legal Trouble Brewing for Mangadex
57:02 – Highest Grossing Domestic Anime Films for Japan in 2019
59:33 – What shows surprised us and which ones do we struggle to defend?

TRACKS

Intro – “Dream X Scramble!” by Airi (Keijo!!!!!!!! OP)
Outro – “Lucky☆Orb feat. Hatsune Miku” by emon(Tes.)

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