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‘Land of the Lustrous’ Review: An Imperfect Jewel

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2D verses 3D animation is a fiercely fought war, with dismissal of the latter by animation purists being frequent. Regardless, there are some that have been holding out hope that 3D animation has something of genuine class to bring to the anime table.

Well at long last, Land of the Lustrous, a fable about humanoid gender neutral jewel people, is the very aforementioned anime table bring-able thingy, as the patience of optimists has been rewarded with radiant eye candy that showcases new-school animation at its brilliant best. Despite a rather unbalanced narrative, Land of the Lustrous is most enjoyable, and a technical marvel to behold.

Into the Land of the Lustrous

In a fantastical land inhabited by beings resembling a marriage of humans and jewels, Phos stands out for all the wrong reasons. Being inept in combat, prone to shattering, and unwilling to accept their shortcomings, the shimmeringly green haired protagonist is often a cause of irritation for their talented peers.

After being requested by the stern Master Kongo to create a natural history encyclopedia, Phos begrudgingly goes about their duty, befriending the intelligent but aloof Cinnabar along the way, and undergoing various instances of personal growth. Meanwhile, the Lunarians (a mute bow and arrow wielding species) periodically descend from above in an attempt to brutally harvest materials from Phos and co., taking advantage of their luxury value as humanoid jewels.

If this narrative description seems unclear, it’s unfortunately as a result of Land of the Lustrous’s inability to establish its diverse and promising concepts into a consistent direction, spelling its greatest shortcoming (but more on that later).

To little surprise, the glimmering star of the show is the outstanding animation. Cinematically whooshing camera angles meld with rich color and sleek textures to create sheer splendour. Whilst 2D animation will forever don the crown as the primary format of its medium, there’s no reason as to why a differing iteration of animation can’t be appreciated for the novel visual treats it provides.

Such awesome animation naturally lends itself effectively to Land of the Lustrous’s frantically fantastic action sequences, which comprise of ferocious sword play and jaw dropping acrobatics against hulking threats. Should Land of the Lustrous’s second season decide to ramp up the frequency of occurrence, length of duration, and overall audacity of said action sequences to Dragon Ball Super-esque degrees, then various ‘the greatest action anime ever’ lists may be introducing a new recruit to their ranks.

An Imperfect Jewel

Phos, whilst initially irritating, takes little time to showcase their endearingly charming nature. Unfortunately, their character development throughout Land of the Lustrous’s fleeting narrative takes peculiar twists and turns, disappointingly at the detriment of their most likeable qualities.

The Phos that concludes Land of The Lustrous flaunts a dramatically different personality from the Phos that introduces it. Whilst character development is fundamental to any strong narrative, Phos’s transformation feels both forced and boringly bland (not to mention it occurs predominantly off screen). With only a brief 12 episode duration, Land of the Lustrous leaves you wanting much, much more. More narrative substance, more exhilarating action, more time spent with the diverse and delightful cast of characters, more everything.

It’s an unjust world when mediocrity such as Hunter x Hunter is gifted with 148 episodes of sluggishly sludgy pacing, yet knockout series such as One Punch Man, Mob Psycho 100, and of course Land of the Lustrous aren’t granted ample time to appropriately develop their fascinating universes, withholding them from grasping their sky high potential. With a greater episode quantity, perhaps Land of the Lustrous could have justified Phos’s drastic alterations in personality, quenched the frustrated desire it leaves for more content, and further developed (or concluded) its incomplete narrative (that has yet to establish a sense of clarity and focus), effectively alleviating its major faults.

As of now, Land of the Lustrous is an entertainingly memorable, technically staggering, but irritatingly incomplete experience. With a second season to further realise is lofty potential however, perhaps things could be different.

You can watch Land of the Lustrous on Amazon Prime here.

I have spent my life in England finding entertainment in both video games and music. Whilst not indulging in the latter, I invest my time in playing all manner of video games, and as of 2017, writing about all manner of video games. Email: harrymorrisharrymorris@yahoo.com

1 Comment

1 Comment

  1. Matt95

    June 18, 2019 at 7:21 am

    Yea sorry but we wouldn’t have seen phos change if there where more epiosdes . It would have skipped straight to the end of spring

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Anime Ichiban 24: Forecasting the Anime Awards

Matt and Kyle have some fresh hottakes on Makoto Shinkai’s newest film, Weathering With You.

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Weathering With you

Matt and Kyle have some fresh hottakes on Makoto Shinkai’s newest film, Weathering With You. The Crunchyroll Anime Awards are also a thing happening which means it’s time for the crew to demonstrate once again how off their tastes are.

TIMESTAMPS

13:41 – Satoshi Konposthumously honored
18:14 – TRIGGER’s Brand New Animal project
28:20 – Netflix adds the entire Ghibli library to their catalog!… in some places
31-37 – Weathering With You impressions and thoughts
1:02:33 – Crunchyroll Anime Award Predictions
1:38:36 – Closing remarks

TRACKS

Intro – “Kiss Me” by Vo.Nai BrXX&Celeina Ann (Carole & Tuesday opening theme)
Outro – “Drown” by milet (Vinland Saga ending theme 2)

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‘Weathering With You’ Isn’t Quite the Storm It Wanted to Be

Makoto Shinkai’s Weathering With You delivers a gorgeous film that doesn’t quite resonate as much as it wanted to.

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Weathering With You Hina

Climate change and global warming have been topics of concern and discussion for years now, with melting ice caps and rising ocean temperatures being some of many signs. Director Makoto Shinkai — acclaimed the world over for his 2016 work Your Name — aims to show just how at the mercy humans are to the weather with his newest animated film, Weathering With You. Although he presents a visually stunning depiction of Mother Nature in all her various moods, Weathering With You ultimately lacks the storming power it seeks to bear upon its audience.

Tokyo has been having a particularly rainy year, seeing precipitation almost every day and nary a sight of the sun or clear blue skies. It’s during this unusual time that high school boy Hodaka arrives in the metropolis seeking escape from the suffocating life he had on his island. The young teenager naturally has trouble finding his bearings on his own in the oftentimes unforgiving hustle and bustle of the city. It’s in these early scenes that Weathering With You has some of its strongest moments, depicting the uglier side of Japanese society not often seen in anime, while also highlighting Hodaka’s strength of character to make it on his own. 

Weathering With You Hodaka and Hina

As Hodaka gradually carves out his own place in the city, he eventually has an encounter with a young girl named Hina. Matching her sunny and cheerful disposition, Hina has the ability to make it stop raining and have the sunshine in very localized spots by praying to the sky. In a place where the rain never ceases, it’s easy to see why Hodaka latches onto Hina to use for the greater good (while also making a little pocket change along the way).

“The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air caught by the leftover humidity.”

Gloomy skies and damp grounds can take their toll on one’s mood and psyche, which someone who lives in such a climate can surely relate to. Even the briefest moments of sunshine revitalize us and give a glimpse of the “light at the end of the tunnel.” Hodaka and Hina’s “100% Sunshine Girl” services to those in need of that light boldly underscore that fact, and make for a strong argument for how the weather affects us all beyond its objective physicality, along with providing some much-appreciated levity to the story. 

That power of weather is beautifully illustrated by CoMix Wave Films’ stupendous animation efforts. The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air, caught by the leftover humidity. Tokyo itself isn’t to be outdone either, with its streets running the gamut between peaceful neighborhoods to grimy and dark back alleys with dilapidated buildings. The animation is punctuated by the return of Japanese band RADWIMPS, who create numerous memorable tracks to complement the wild swings in mood that weather can elicit.

That makes it all the more unfortunate, however, that the greater narrative is so weak.

The progression of Weathering With You is made painfully obvious right from the outset of the story — so much so that it’s hard to wonder if it’s actually the set-up for a bait-and-switch. As a result, much of the first half of the film is simply waiting for the other shoe to drop, making it difficult to really settle in and become intimate with its characters. 

Weathering With you Hodaka and Hina

This would be less of an issue if the cast had smaller interactions that were a delight to watch, but they fall short in that regard as well. All of the characters have a charm to them for sure — with Hina’s younger elementary school brother, Nagi, putting modern playboys to shame being a particular standout — but the story never quite makes a compelling case as to why they are as close as they are, especially Hina and Hodaka. They’re fun enough to watch be together, but don’t quite make that emotional attachment with the viewer that the story wants to create.

That lack of an emotional connection is distinctly felt in Weathering With You’s second act, when unnecessary confrontations and bizarre plot directions converge to create an artificial sense of stakes amidst a central conflict that would have been fine on its own. What’s meant to strengthen the impression of the characters’ bonds instead cheapens it, undermining the already faulty progress the first half did make. The result is a narrative that’s hard to care about, although its ending does leave the viewer with some potentially interesting questions to ponder.

Weathering With You is far from a bad movie, however. It has a clear direction and vision with a message to say about our climate crisis. The characters are endearing enough, and there are a handful of heartfelt scenes because of that. It also cannot be understated just how drop-dead gorgeous the animation is. The story, however, is simply too straightforward for its own good, resulting in an experience that is at times enjoyable, and at others plain boring.

And that’s only when being judged in a vacuum on the movie’s own merits. When compared to Shinkai’s recent masterpiece that is Your Name, it’s hard to see Weathering With You as anything but a disappointing follow-up. That’s perhaps the film’s greatest weakness, but fortunately, it’s one that Shinkai’s next work won’t have, and we can still look forward to it because of that fact.

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How Rimuru Tempest Changed the Game for Isekai Protagonists

That Time I Got Reincarnated as a Slime shines within the vast sea of generic isekai thanks in no small part to protagonist Rimuru Tempest.

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that time i got reincarnated as a slime

The core premise of the isekai genre–a character being transported from their everyday life on Earth to a parallel universe–has become wildly popular for a reason: it’s an immensely appealing fantasy. Just as audiences everywhere fell in love with the seminal Spirited Away in the early 2000s, it’s still exciting to fantasize about discovering a new world and going on all manner of crazy adventures. However, the incessant flood of new isekai every season to capitalize on this trend has resulted in some of the most generic, overly-manufactured protagonists in any genre.

Though this sea of formulaic main characters is vast, it makes it all the easier to recognize when one bucks the typical conventions and actually proves that there’s room for unique takes on the genre. That Time I Got Reincarnated as a Slime adheres to a few cliches, but it also manages to set a new bar for what a captivating isekai protagonist can be.

Rimuru in That Time I Got Reincarnated as a Slime

Breaking the Mold

That Time I Got Reincarnated as a Slime is as wholesome and optimistic an anime as they come. The tone can be deceptive at first; when Satoru Mikami is suddenly stabbed when trying to protect his junior, his dying wish is for his computer’s hard drive to be destroyed. But after being reincarnated as a slime–and gaining the new name Rimuru Tempest–his true desires become clear: world peace and a simple, comfortable life with friends.

What’s immediately striking about Rimuru as the main character is that he starts off as an average 37-year-old man. He spent his life working hard and appeasing his higher-ups to climb the corporate ladder. Shady hard drive aside, he lived a respectable and long life compared to the vast majority of protagonists in the genre. This significant age difference is evident in nearly every action and major decision Rimuru makes; he looks at situations practically before jumping headfirst into conflict.

That Time I Got Reincarnated as a Slime

When Rimuru gets a drink poured on him by a noble in a bar, for instance, he quells his anger in consideration of the bar and the friends around him. When someone asks for his aid in an impending battle, he pauses to go over all the available information and reaches a consensus among everyone before agreeing. And when protecting a goblin village from a pack of wolves, he doesn’t just mindlessly slaughter all the wolves; he looks for the way of least resistance (killing the leader of the pack) before ultimately integrating them with the goblins as equals. Though his human form looks young, it’s the wisdom behind his actions that makes those around him respect his leadership.

This is especially impressive considering just how overpowered Rimuru is. His transformation into a slime came with resistances to fire, cold, electric currents, pain, paralysis, and the ability to absorb, analyze, and take the form of anything he wants. In other words, he could go down the path of the typical shounen protagonist and solve his problems with his fists, but he never lets his overwhelming power dictate his decision-making process.

Rimuru meeting with his commanders.

Leading a Nation

That Time I Got Reincarnated as a Slime is as much about Rimuru’s adventures as it is about the rise of the independent monster nation he helps establish. Instead of running off in search of adventure, the little slime decides to nurture the goblin village he protected at the outset. He helps the goblins and wolves “level up” by naming them, shows them sustainable ways to gather food and build makeshift defenses, and even brings back dwarves to introduce blacksmithing and carpentry.

Through expansion, industrialization, and conflict, Rimuru manages to orchestrate the creation of his country in a way that’s genuinely believable. His ambitions for a peaceful and integrated world play out in his willingness to accept other goblin tribes, ogres, lizardmen, and even friendly humans in his country. Being able to rationally read situations makes forging alliances and negotiating with neighboring nations possible. When a major calamity threatens all life in the forest, Rimuru wastes no time in holding a summit and allying with other forest dwellers over a common interest.

None of this would be possible without the uncanny, Luffy-like ability to inspire a sense of trust and reliability in those he comes across. Just like the members of the Straw Hat Pirates follow Luffy out of respect and loyalty, Rimuru’s commanders follow him because of his sound judgment and dedication to seeing everyone in his nation be happy. It’s satisfying seeing members of Rimuru’s guard take personal offense when others talk poorly of him because it’s clear that he’s earned the respect he’s given.

If isekai is to continue growing in popularity and thriving long-term, room must be made for different types of protagonists. Be they depraved, refreshingly honest characters like Kazuma or upstanding yet easygoing leaders like Rimuru, both demonstrate how valuable it is to shake up the formula and try new approaches to the genre. If the constant barrage of isekai has bittered your tolerance to it as a whole, That Time I got Reincarnated as a Slime is well worth giving a shot.

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