When The Most Dangerous Game was made in 1932, it was released in the era known as “Pre-Code Hollywood,” a time when filmmakers were able to get away with sexual innuendo, illegal drug use, intense violence, homosexuality, and other taboo topics without any fear of censorship. It was the first screen adaptation of Richard Connell’s short story of the same name, and ever since, it has been adapted both officially and unofficially several times. Of the dozens of screen versions made, that original film still stands as the very best— but there have been a few decent variations worth recommending including The Naked Prey and John Woo’s first Hollywood directorial effort, the Jean-Claude Van Damme thriller Hard Target. Now, nearly 90 years later, The Prey looks to take Richard Connell’s simple premise and put its own spin on the now tried and tested action movie formula. The good news, The Prey is a jolt of pulp entertainment that will satisfy genre fans who are looking for an enjoyable way to spend 90 minutes.
The fifth feature from Jimmy Henderson (Jailbreak) takes the classic story of survival and drops it in the jungles of his adopted home of Cambodia. Our hero Xin (Gu Shangwei) is an undercover cop who accidentally finds himself locked up in a remote prison where the sadistic warden (Vithaya Pansringarm) sells prisoners as human prey for wealthy businessmen men to hunt as a form of recreation. Unsurprisingly, Xin is chosen for the event and becomes an unwitting participant in the deadly game of cat and mouse.
As far as plot goes, there isn’t much else to say since characters are thinly drawn and other minor plot strands seem irrelevant to what is otherwise a very simple premise. The Prey has one thing on its mind: action. And for what it is going for, The Prey is a lean and mean thriller that offers fans a number of stunning martial arts showcases choreographed by Jean-Paul Ly (star of Jailbreak) – and terrific cinematography from Lucas Gath who manages to shoot from unconventional angles and places the camera as close as possible to the action while never once confusing the audience. Henderson never lets the pace falter either and captures some brutal hand-to-hand combat which makes great use of a wide array of makeshift weaponry. The Prey isn’t a triumph of fight choreography like say The Raid, but it is relentless and features some memorable scenes including an impressive extended single-take and a notably balls-to-the-wall prison brawl. Veteran Thai actor Vithaya Pansringarm (Only God Forgives) is by far the most experienced performer on display but newcomer Gu Shangwei somehow manages to steal the show. For a first-time acting gig, Shangwei’s charisma and overall likeability make him a star on the rise.
What The Prey lacks in story and character development, it makes up for in suspense and genuine thrills. The spectacle of flying fists, deadly kicks, ricocheting bullets and spurting blood is just enough to recommend. It has been nearly nine decades since Irving Pichel and Ernest B. Schoedsack shocked audiences with The Most Dangerous Game. Times have changed. Technology has advanced and filmmakers have easier ways to capture some truly electrifying action scenes but that doesn’t mean they always get it right. But like that classic, The Prey is constructed with hardly an ounce of fat as the filmmakers waste no time establishing the basic premise within the first few minutes and getting right to the bleeding heart of the film. It might be a mindless action movie but of the many big-screen adaptations, very few of those films boast the level of craft on display here.
- Ricky D