Summer has ended and it’s time to cool off a bit and break out the blankets as we settle into a comfy new anime season. As always, the GoombStomp anime crew is here to give you a rundown of many of the shows airing. What’s good and what’s not so much? We got you covered. (List in no particular order)
My Hero Academia Season 4
Director: Kenji Nagasaki
Main Voice Actors: Daiki Yamashita (Deku), Kenta Miyake (All Might), Tarusuku Shingaki (Mirio)
There’s good reason for My Hero Academia’s continued acclaim and popularity. After 2018’s stupendous third season, the king of modern shonens enters its Shie Hassaikai arc. With a new villain in Overhaul, more Mirio magic, and the usual dollop of awe inspiring action and character driven drama (all conveyed through Bones’s top-notch animation); there’s no better time to embrace the most entertaining anime on the market, especially with our ongoing super hero fanaticism (see Marvel’s box office dominance).
Honestly, that’s all I have to say. You’ve just gotta watch this show! (Bu Harry Morris)
Sword Art Online: Alicization – War of the Underworld
Studio: A-1 Pictures
Director: Manabu Ono
Main Voice Actor(s): Yoshitsugu Matsuoka (Kirito), Ai Kayano (Alice), Kaori Maeda (Selka)
Last year’s Sword Art Online: Alicization nearly bucked the series’ trend of supremely generic isekai by taking the effort to establish and build up a new world as well as finally introduce a male character on equal terms with Kirito in terms of plot relevance. It ultimately got bogged down by its final arc, however, that dragged on for much too long and accomplished much too little. It did set the stage nicely, though, for the second half of the story.
With Kirito now in a vegetative state only vaguely responding to the faintest of stimuli, it falls on Alice to pick up where he left off. In the first episode alone, Alice has already demonstrated to be far more of an interesting character than Kirito or Asuna ever were owing much to the complicated circumstances that led her to where she is now.
The world-building that was swept aside in the final arc of the first season is finally making its return in War of the Underworld but with the last two episodes focusing on events happening in the real world it’s still difficult to tell how well the Underworld will be fleshed out.
Nonetheless, it’s obvious that Asuna will eventually make her appearance and Kirito will eventually regain consciousness. I just hope they stay out of the picture long enough to give this new protagonist room to breathe. (By Matt Ponthier)
Director: Kazuki Akane
Main Voice Actor(s): Natsuki Hanae (Maki), Tasuku Hatanaka (Toma)
Though it’s billed as a sports anime, there’ve only been two actual soft tennis matches in the first three episodes of Stars Align. Even more surprising? That likely wouldn’t occur to you while watching the show.
Everything begins when middle-schooler Maki Katsuragi moves back into town at the same time as the local boy’s soft tennis club is given an ultimatum: win a match in the upcoming summer tournament or disband. Thing is, the boy’s team hasn’t won a match of any kind in four years. They’ve gotten lazy and apathetic. When Maki inevitably joins, he’s disgusted; they’re so bad that a generally athletic newcomer can beat them at their own game. It’s immediately clear that this isn’t the story of a tennis prodigy leading a downtrodden team to victory, but instead the story of a team who got the jolt it needed to take a long, hard look at itself and get better.
This underdog narrative is what’s driving the show forward, but it’s the stunningly realistic depiction of broken homes in the background that gives Stars Align so much heart. Why did Maki and his mother move in the middle of the school year? How does club president Toma deal with being the second, clearly least-favored son in his family? How can a kid possibly remain calm in the face of bullies who take deep jabs at his parent’s divorce? Each of these are answered with the utmost care and firm, unrelenting accuracy.
If you’re looking for a heartfelt drama with strong writing and one of the most best “battle themes” in recent memory, you owe it to yourself to check this out. (By Brent Middleton)
Cautious Hero: The Hero is Overpowered but Overly Cautious
Studio: White Fox
Director: Masayuki Sakoi
Main Voice Actors: Aki Toyosaki (Rista), Yuuichirou Yumehara (Seiya)
With a name like that, one hardly needs a plot synopsis. Fledgling goddess Rista is assigned an S-rank danger world to save in order to be promoted to a first-class goddess. She pours over possible hero candidates to summon and eventually arrives on the stupendously powerful Seiya only to be terribly disappointed to find out he’s sick in the head he is when it comes to preparation.
Seiya is the antithesis of a standard isekai protagonist in how distrustful and abrasive he is of everything and everyone. He refuses to take advice from anyone and will refuse to do anything until he is 150% sure he is prepared for it, much to Rista’s dismay. While this was rather comical in the first episode, the schtick quickly began to wear out its welcome the second and beyond.
Rista, on the other hand, is the show’s saving grace. The runny egg style used to animate her results in some truly screencap worthy faces reminiscent of old Looney Toons that I have to pause the episode for a few seconds to appreciate. Special mention has to be given to her voice actress, Aki Toyosaki, for delivering lines and sounds that so perfectly encapsulate the exasperation felt from dealing with someone like Seiya. Is she alone enough to carry the show? That’s debatable, but at least I have reaction images for any given mood to send to friends now.
Watch on Funimation
Food Wars! The Fourth Plate
Studio: J.C Staff
Director: Yoshitomo Yonetani
Main Voice Actors: Yoshitsugu Matsuoka (Soma), Hisako Kanemoto (Erina), Minami Takahashi (Megumi)
God I didn’t want to write the review I’m writing right now. Don’t get me wrong, I loved Shokugeki… until I didn’t.
Shokugeki no Soma (Food Wars! in the West) returns for its fourth season and I sincerely wish it hadn’t. For nearly three seasons, Shokugeki was a by-the-numbers shounen about fanservice and food and it was wonderful. Though it was fairly cookie-cutter, Shokugeki hit all of the beats rather well: a fun cast, a good sense of humor, and plenty of cheesecake. The twist that set it apart (i.e. the cooking) was extremely well done and clearly held respect for the culinary arts.
Then… Azami came onto the scene.
Azami Nakiri, introduced in the latter half of Season 3, serves as Shokugeki’s primary antagonist as he seeks to bring the entire world under his banner of haute-cuisine. Tootsuki Academy is his first target and anyone who rebels will be crushed under his iron fist. Schlocky enough and in a vacuum he could serve as a good villain, but Azami’s execution leaves something to be heavily desired. Season 4 picks up directly where 3 left off: the rebels continue their fight against Azami and his goons, with Soma leading the charge.
Unfortunately, the show has only continued to decline in quality as the problems prevalent in the previous season have only become more pronounced as the series goes on. So many of the things that made Shokugeki great have taken a backseat: the characters, the cooking, and story are all swept aside by Azami’s incredibly inane scheming.
There’s a frustrating carrot being dangled in front of the viewer as they can see glimpses of a fun show beneath the hot garbage. However, there are far too many places where the series is now lacking for it to be worth any kind of investment. Beyond the story rapidly souring, the animation quality has become noticeably worse. Not that Shokugeki was ever a standout, but Season 4 is egregious in its use of monotone backgrounds, static character shots, and mouth flaps.
There are more things I could rant on about Shokugeki, but suffice to say it’s not worth your time anymore. (By Kyle Rogacion)
Watch on Crunchyroll
The Seven Deadly Sins – Wrath of the Gods
Studio: Studio Deen
Director: Susumu Nishizawa
Main Voicer Actors: Yuki Kaji (Melodias), Sora Amamiya (Elizabeth)
The Seven Deadly Sins tries its hand at a grandiose story of fantastical intricacy, but it lacks the marvellous characters and memorable world to justify such lofty ambition. Still, when Meliodas and co. are kicking ass and cracking jokes, it ticks the right boxes of ‘decently entertaining’ to warrant persevering with.
After jumping ship from A-1 Pictures to Studio Deen, things were looking sketchy for The Seven Deadly Sins – Wrath of the Gods (especially given episode one’s gore censorship and plain unfinished opening). Fortunately, this was promptly rectified in subsequent episodes by uncensoring the bloody bits and delivering animation that’s on par (if not better) than preceding seasons. As polished as A-1 Pictures’ quality is, they fill the space of ‘default anime look’, so their style is pretty feasible to emulate.
The Seven Deadly Sins – Wrath of the Gods is more than living up to the standards of prior seasons. Sure, it suffers from the same story flaws, but it’s reassuring that the sins are in safe hands with Studio Deen. (By Harry Morris)
Watch on a Japanese Netflix account. Otherwise, available on other Netflix regions at season end.
High Score Girl II
Studio: J.C. Staff
Director: Yoshiki Yamakawa
Main Voice Actors: Sayumi Suzushiro (Akira), Kouhei Amaski (Haruo)
As I’ve written about before, High Score Girl is a wonderful tribute to the incredibly spirited era of 90s video games. From the clacking cacophony of the arcade to the warm comfort of your own home, video games in the 90s were a constantly evolving medium. High Score Girl is a snapshot into that time, centered around the friendship and blossoming romance between Haruo Yaguchi and Akira Oono, two kids who have found solace and a mutual connection through video games.
Season 2 picks up directly after the events of the previous season, with the love triangle between Haruo, Oono, and Hidaka rapidly building towards some eventual conclusion. While the central conflict for this season is one of romantic tension, High Score Girl does a fantastic job of making it feel natural. It allows its characters time to breathe, giving the viewer a glimpse at just how much they value video games and the friendships that have come from them.
Though Haruo is ostensibly the protagonist, Oono and Hidaka both have ample screentime that lets their own personalities shine. The best love triangles are the ones that feel completely natural, where the conflict centers around the interplay of circumstance and personalities.
Of course, a show about video games wouldn’t be complete without, well, video games. Aside from the excellent character writing, High Score Girl does an amazing job of using real-world franchises. It doesn’t simply reference games like Street Fighter or Golden Axe, it will actually get in-depth on the mechanics and the community that developed around these video games. High Score Girl indelibly captures the spirit of 90s video games without being beholden to nostalgia. It’s a period piece that’s developed its own identity, a story that works with the setting, not because of it. (By Kyle Rogacion)
Rating: Highly Recommended
High Score Girl Season 1 is available for streaming on Netflix, with Season 2 coming out at a later date.
ORESUKI Are You the Only One Who Loves Me?
Studios: Barnum Studio, Connect
Director: Noriaki Akitaya
Main Voice Actor(s): Daiki Yamashita (Amatsuyu), Haruka Tomatsu (Sumireko), Sachika Misawa (Sakura), Haruka Shiraishi (Aoi)
It’s no secret that the school-based rom-com is one of the most predictable sub-genres in all of anime. The childhood friend, the oblivious main character, the inevitable school fair and beach trip; we’ve all seen it before. Right from the jump, it’s clear that the entire appeal of ORESUKI is based around taking these tropes to task. Unfortunately, that base appeal wears thin rather quickly.
The main character, Amatsuyu “Joro”, starts off playing a typically shy high school student with a childhood friend who greets him every morning and a crush he serves with on the student council. Suddenly, both of these girls approach him and want to talk one-on-one. They each find a bench (one of the funnier running gags in the opening episodes) and confess…that they have a crush on his best friend.
The problem is that while ORESUKI is built on being a different kind of romantic comedy, it rarely translates into an enjoyable one. While there are a few laugh-out-loud moments, many of the jokes are hit-or-miss. Instead of a nuanced re-imagination of the typical rom-com character archetypes, nearly everyone involved is simply exposed as being selfish or hateful. The result is a cast of unlikable brats that are hard to care about (save for the cunning and Joro-obsessed Sumireko).
Because the show jarringly forces the cast to “deal with” the revelations made in the first few episodes, it remains to be seen if its shock value-contingent narrative will stay interesting now that so many of its cards have been laid on the table. Nonetheless, those looking for a different type of rom-com experience might want to see how things pan out. (By Brent Middleton)
Fate/Grand Order: Absolute Demonic Front Babylonia
Director: Toshifumi Akai
Main Voice Actors: Nobunaga Shimazaki (Ritsuka), Rie Takahashi (Mash), Kana Ueda (Ishtar), Takahiro Sakurai (Merlin), Tomokazu Seki (Gilgamesh)
Recent Fate series have already been relatively unapproachable, expecting viewers to have a fair bit of knowledge going into them to get anything out of them. Fate/Grand Order: Absolute Demonic Front Babylonia may just take the cake, though. It’s not only an adaptation of a gacha-style phone game, but an adaptation of the 7th and final story arc at that. While the anime somewhat tries to contextualize how we reached this point, it still expects the viewer to know going into it, meaning not even all Fate fans will be able to jump right in if they haven’t played the game.
All that said, Babylonia still displays all the hallmarks of a good Fate show. Characters are bursting at the seams with flavor and personality (historical accuracy aside), fights are so flashy and bombastic every kick to the guy feels like a punch to your own, and magical explanations are just the right amount of hand-wavy convoluted. Ancient Mesopotamia is gorgeously animated and conveys a sense of grandeur with the numerous panoramic shots that pull far away from of characters.
As someone who has played the phone game, it’s difficult for me to tell how accessible this adaptation is for newcomers. Knowing the direction the story will eventually go in, though, it’s at least worth giving a shot to decide if you want to stick with it because if adapted properly this show can result in some of the most butt-clenchingly intense moments seen in anime. (By Matt Ponthier)
Watch on Funimation
Studio: Bibury Animation Studios
Director: Motoki Tanaka
Main Voice Actors: Yui Ishikawa (Enterprise), Yui Horie (Belfast), Ayane Sakua (Prinz Eugen)
If you’ve spent any time within the animu fandom you’ve heard the term “gacha”. The word derives from the onomatopoeia “gachapon”, referring to the sound made by a hand-cranked toy-dispensing machine popular in Japan. The concept behind gacha (chance-based toy collection) has bled over into the Japanese gaming world in a way that only Japan knows how to do: by combining it with waifus.
Azur Lane is one of many franchises that has built itself around the gacha phenomenon. In the style of Kantai Collection (“KanColle”), the series follows a massive cast of anthropomorphized World War II-era battleships in their military and personal escapades. Beings known as “Sirens” have invaded Earth and taken control of the seas. Thinly veiled counterparts to real-world nations take up the fight against the Sirens, sending off legions of shipgirls to do battle against the invading forces, as well as Not-Germany and Not-Japan who have begun to use Siren technology for their own purposes.
If the premise sounds ridiculous, well, you wouldn’t be wrong. If you decided to watch Azur Lane for the plot you will be sorely disappointed. However, if you came for fun fights and cute girls you came to the right place (though “right” may be subjective). Speaking of cute girls, boy howdy there are A LOT OF THEM. In the first few episodes you’re quickly introduced to a cast of over a dozen characters who, while they’re all distinct and unique, quickly become overwhelming to keep track of. Azur Lane has no qualms about what it wants to be, but whether or not that’s for the best remains to be seen. (By Kyle Rogacion)
For fans of series like Girls und Panzer, Strike Witches, and Fate/Grand Order, Azur Lane will be up your alley. For everyone else: keep walking, nothing to see here.
Ascendance of a Bookworm
Director: Mitsuru Hongou
Main Voice Actors: Yuka Iguchi (Maine)
Book-lover Urano finds herself reincarnated in another world as the 6 year-old girl Maine after the usual isekai circumstances cut her life short. As long as she has books to read, though, it doesn’t matter where she lives her life. The only problem? Books are extremely rare and expensive in this world and Urano turned Maine’s family is very poor.
Ascendance of a Bookworm progression-wise is very similar to the on-going Dr. Stone. If Maine can’t obtain a book, she could just make her own. She uses her know-how from her previous life to experiment with all sorts of writing and drawing materials, ranging from Egyptian papyrus, to Mesopotamian clay tablets, to Chinese woodblocks. Her genuine desire for books is supremely charming, as well as all her reactions when her bright ideas don’t quite go according to plan. Not to mention the reactions of those around Maine when she seemingly whips up a new invention from thin-air.
There are hints of a possible greater story but as it stands right now it simply is Maine’s adventure to obtain a book, which puts it in a slightly awkward position in terms of what kind of audience it’s targeting. Regardless, Ascendance of a Bookworm has a bright world, a likable cast, and the ingrained satisfaction of producing something from scratch. If it does eventually evolve into something more than that, even better, but it’s already worth checking out for some feel-good moments alone. (By Matt Ponthier)
Watch on Crunchyroll
Director: Morio Asaka
Main Voice Actors: Asami Seto (Chihaya), Mamoru Miyano (Taichi), Yoshimasa Hosoya (Arata)
It’s been six whole years since the enthralling second season of Chihayafuru, and even more since the series’s inception in 2011. Fans of the show are already going to watch this much anticipated third season no matter what, so I’d like to take this moment to instead tell newcomers why they should watch this delightful series.
Chihaya is a spunky high-school girl with one passion, and one passion only: karuta. She barely manages to scrape together a karuta club for her school and away they how go with practice, exhibition matches, and tournaments.
Few people outside of Japan are even aware of this distinctly Japanese card game but Chihayafuru does an excellent job explaining the rules and the strategies involved. The way Madhouse animates these matches of wit and reflexes is nothing short of mesmerizing. There is an unbelievable amount of layers involved in what seems like a simple game at first glance, and being shown all the different ways to play is absolutely fascinating. By the end of the second season, I was looking up professional matches just because I was that interested in the game.
Meanwhile, the manner in which Chihaya and her teammates grow both as players and people is downright inspirational. Their internal conflicts and struggles can be both relatable and heart-wrenching. It’s easy to feel proud for the characters and their accomplishments and connect with them on an emotional level. It’s these factors that make Chihayafuru such a enchanting series and one that absolutely deserves more attention! (By Matt Ponthier)
Rating: Highly Recommended
Watch on Crunchyroll
Kemono Michi: Rise Up
Director: Kazuya Miura
Main Voice Actor(s): Katsuyuki Konishi (Genzou), Akira Sekine (Shigure)
The way Kemono Michi starts off will be familiar to many: Genzou Shibata, a professional wrestler, is in the middle of a major match when he suddenly gets summoned to another world by a princess determined to save her kingdom. It quickly becomes clear, however, that Genzou is anything but a by-the-numbers isekai protagonist. His infatuation with any and all animals and lifelong dream to open a pet shop elevates a by-the-numbers premise into one of the most creative twists on the genre yet.
Genzou falls head over heels for every animal and animal-like being he comes across, be it catgirls or fire-breathing salamanders. Anthropomorphic thugs on the street become terrified of him because he’s determined to relentlessly pet their fur. Lady-beasts blush passing by because of how aggressively he flirts with them. Seeing him and straight woman Shigure (his mischievous money-minded companion) take on quests is genuinely entertaining not because of the action sequences, but because of how Genzou interacts with his adversaries.
A couple of the recurring gags are already starting to wear out their welcome four episodes in, but nearly every scene perfectly nails its comedic timing nonetheless. The lively cast that Kemono Michi has built up thus far is promising, and I can’t wait to see what hi-jinks the crew gets into over the comings weeks. If the show can keep rolling out genuinely hilarious situational and slapstick humor and keep the fantasy themes fresh, this is easily set to be one of the most lighthearted and enjoyable isekais of the year. (By Brent Middleton)
Watch on Funimation.
Welcome to Demon School! Iruma-kun!
Studio: Bandai Namco Pictures
Director: Makoto Moriwaki
Main Voice Actors: Ayumu Murase (Iruma), Ryohei Kimura (Asmodeus), Ayaka Asai (Clara)
This is a show that seems like it came straight from a time capsule dated from the early 2000’s, when beta protagonists that stumble upon every fortune imaginable were in vogue. While Iruma-kun seems to have missed the memo that times have moved on, it’s almost refreshing to see a show that’s so by-the-books.
After his parents sold his soul to a devil to pay off a debt, the titular Iruma finds himself going to the titular demon school. There he tries to stick out as little as possible to avoid being outed as a human and inevitably does just the opposite. Every action he takes snowballs into some sort of life-threatening predicament that he somehow fumbles through into a glorious conclusion that earns him praise. While the outcomes are always apparent, seeing how Iruma stumbles into it provide a decent amount of laughs.
The simplicity of the story carries over into its design as well with a bright, yet flat, color palette; simple, yet distinctive, character designs; and tropey, yet charming, archetypes. By all intents and purposes, Iruma-kun should be a boring show. It doesn’t try to be anything it’s not, though, and sticks to the strengths of all things simple and basic, and that lends it more of an entertainment factor than you might think if you’re just looking for some laughs.
Watch on Crunchyroll
BOKUBEN: We Never Learn Season 2
Studio: Silver Link
Director: Yoshiaki Iwasaki
Main Voice Actors: Ryota Osaka (Yuiga), Haruka Shiraishi (Fumino), Sayumi Suzushiro (Uruka), Miyu Tomita (Rizu)
After a shockingly short amount of time, BOKUBEN is back for another season and it’s… exactly the same as before, for better and for worse. Namely, the degree of eye-rolling misunderstandings will vary wildly depending on which character each given episode is focused on.
If it focuses on either the logical Rizu or the energetic Uruka, then expect an entire episode dedicated to one obnoxious understanding that should never have happened in the first place. If it focuses on Fumino or Kirisu-sensei, then expect an amusing display of exasperation that you’ve probably felt when dealing with a friend before. If it focuses the petite Asumi, then you’ll actually be treated to a relationship and interaction that actually makes sense and is a genuine joy to watch with no strings attached.
So roll the die and see which girl you get each episode because this series is still a paradigm of inconsistency.
No Guns Life
Director: Naoyuiki Itou
Main Voice Actors: Junichi Suwabe (Juzo), Daiki Yamashita (Tetsuro), Manami Numakura (Mary)
No Guns Life is in a tricky situation right off the bat by presenting a relatively serious story… with a protagonist that has a gun for a head. Without some levity Juuzou would be impossible to take seriously. Fortunately, a kiss to his muzzle by a lovely lady and a flustered reaction later provided just that in the opening moments of the first episode, setting the appropriate tone for the rest of the show.
Juuzou is mechanically modified “Enhanced” and acts as a fixer to problems caused by other Enhanced citizens. He eventually comes across the fugitive, Tetsuro, and decides to shelter him from the overbearing mega-corporation that controls the city. There’s nothing profound here beyond watching android-like superhumans go at it against each other, and that’s fine considering how well done the fights are.
The world has a griminess to it that matches the grizzled appearance of its inhabitants. Juuzou plays the part of a standard hard-boiled investigator type but with a dash of goofiness when he gets thrown off his game. Mary the mechanic is usually the one instigating such chaos and can be a hoot to watch. All in all, No Guns Life will be a fun ride, just don’t expect anything groundbreaking from it.
Watch on Funimation
Didn’t I say to make my abilities average in the next life
Studio: Project No.9
Director: Masahiko Oota
Main Voice Actors: Azumi Waki (Mile), Sora Tokui (Rena), Masumi Tazawa (Pauline), Fumiko Uchimura (Mavis)
“Hey Jim, this genre called ‘ee-say-kyy’ is really hot right now. We should get in on it.”
“I dunno Tom, I only like to make moe blob, slice-of-life, cute-girls-doing-cute-things series.”
“Why not both?”
Thus, is how I imagine this show came to be. Our reincarnator, Mile, wants nothing more than to be average in her new life, and requests as much. Problem is the outlier of an ancient dragon in the world means that the average “of all living beings” is much higher than the average of “all human beings”.
This is a power fantasy, through-and-through with a moe blob coat of paint. Instead of club activities, Mile and company have fun adventuring out to destroy golems much higher than their own levels. Instead of building a harem of girls, we get saccharine, sweet interactions between girls. It’s a fluffy, light-hearted show that will elicit a chuckle hear and smirk there and not much more. Fan of either genre will probably be able to get something out of this, though.
It’s worth noting, however, that the show took a bit of a turn in recent episode that feels rather sudden. Whether this is beneficial or detrimental is yet to be seen.
Watch on Crunchyroll
Anime Ichiban 24: Forecasting the Anime Awards
Matt and Kyle have some fresh hottakes on Makoto Shinkai’s newest film, Weathering With You.
Matt and Kyle have some fresh hottakes on Makoto Shinkai’s newest film, Weathering With You. The Crunchyroll Anime Awards are also a thing happening which means it’s time for the crew to demonstrate once again how off their tastes are.
13:41 – Satoshi Konposthumously honored
18:14 – TRIGGER’s Brand New Animal project
28:20 – Netflix adds the entire Ghibli library to their catalog!… in some places
31-37 – Weathering With You impressions and thoughts
1:02:33 – Crunchyroll Anime Award Predictions
1:38:36 – Closing remarks
Intro – “Kiss Me” by Vo.Nai BrXX＆Celeina Ann (Carole & Tuesday opening theme)
Outro – “Drown” by milet (Vinland Saga ending theme 2)
‘Weathering With You’ Isn’t Quite the Storm It Wanted to Be
Makoto Shinkai’s Weathering With You delivers a gorgeous film that doesn’t quite resonate as much as it wanted to.
Climate change and global warming have been topics of concern and discussion for years now, with melting ice caps and rising ocean temperatures being some of many signs. Director Makoto Shinkai — acclaimed the world over for his 2016 work Your Name — aims to show just how at the mercy humans are to the weather with his newest animated film, Weathering With You. Although he presents a visually stunning depiction of Mother Nature in all her various moods, Weathering With You ultimately lacks the storming power it seeks to bear upon its audience.
Tokyo has been having a particularly rainy year, seeing precipitation almost every day and nary a sight of the sun or clear blue skies. It’s during this unusual time that high school boy Hodaka arrives in the metropolis seeking escape from the suffocating life he had on his island. The young teenager naturally has trouble finding his bearings on his own in the oftentimes unforgiving hustle and bustle of the city. It’s in these early scenes that Weathering With You has some of its strongest moments, depicting the uglier side of Japanese society not often seen in anime, while also highlighting Hodaka’s strength of character to make it on his own.
As Hodaka gradually carves out his own place in the city, he eventually has an encounter with a young girl named Hina. Matching her sunny and cheerful disposition, Hina has the ability to make it stop raining and have the sunshine in very localized spots by praying to the sky. In a place where the rain never ceases, it’s easy to see why Hodaka latches onto Hina to use for the greater good (while also making a little pocket change along the way).
“The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air caught by the leftover humidity.”
Gloomy skies and damp grounds can take their toll on one’s mood and psyche, which someone who lives in such a climate can surely relate to. Even the briefest moments of sunshine revitalize us and give a glimpse of the “light at the end of the tunnel.” Hodaka and Hina’s “100% Sunshine Girl” services to those in need of that light boldly underscore that fact, and make for a strong argument for how the weather affects us all beyond its objective physicality, along with providing some much-appreciated levity to the story.
That power of weather is beautifully illustrated by CoMix Wave Films’ stupendous animation efforts. The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air, caught by the leftover humidity. Tokyo itself isn’t to be outdone either, with its streets running the gamut between peaceful neighborhoods to grimy and dark back alleys with dilapidated buildings. The animation is punctuated by the return of Japanese band RADWIMPS, who create numerous memorable tracks to complement the wild swings in mood that weather can elicit.
That makes it all the more unfortunate, however, that the greater narrative is so weak.
The progression of Weathering With You is made painfully obvious right from the outset of the story — so much so that it’s hard to wonder if it’s actually the set-up for a bait-and-switch. As a result, much of the first half of the film is simply waiting for the other shoe to drop, making it difficult to really settle in and become intimate with its characters.
This would be less of an issue if the cast had smaller interactions that were a delight to watch, but they fall short in that regard as well. All of the characters have a charm to them for sure — with Hina’s younger elementary school brother, Nagi, putting modern playboys to shame being a particular standout — but the story never quite makes a compelling case as to why they are as close as they are, especially Hina and Hodaka. They’re fun enough to watch be together, but don’t quite make that emotional attachment with the viewer that the story wants to create.
That lack of an emotional connection is distinctly felt in Weathering With You’s second act, when unnecessary confrontations and bizarre plot directions converge to create an artificial sense of stakes amidst a central conflict that would have been fine on its own. What’s meant to strengthen the impression of the characters’ bonds instead cheapens it, undermining the already faulty progress the first half did make. The result is a narrative that’s hard to care about, although its ending does leave the viewer with some potentially interesting questions to ponder.
Weathering With You is far from a bad movie, however. It has a clear direction and vision with a message to say about our climate crisis. The characters are endearing enough, and there are a handful of heartfelt scenes because of that. It also cannot be understated just how drop-dead gorgeous the animation is. The story, however, is simply too straightforward for its own good, resulting in an experience that is at times enjoyable, and at others plain boring.
And that’s only when being judged in a vacuum on the movie’s own merits. When compared to Shinkai’s recent masterpiece that is Your Name, it’s hard to see Weathering With You as anything but a disappointing follow-up. That’s perhaps the film’s greatest weakness, but fortunately, it’s one that Shinkai’s next work won’t have, and we can still look forward to it because of that fact.
How Rimuru Tempest Changed the Game for Isekai Protagonists
That Time I Got Reincarnated as a Slime shines within the vast sea of generic isekai thanks in no small part to protagonist Rimuru Tempest.
The core premise of the isekai genre–a character being transported from their everyday life on Earth to a parallel universe–has become wildly popular for a reason: it’s an immensely appealing fantasy. Just as audiences everywhere fell in love with the seminal Spirited Away in the early 2000s, it’s still exciting to fantasize about discovering a new world and going on all manner of crazy adventures. However, the incessant flood of new isekai every season to capitalize on this trend has resulted in some of the most generic, overly-manufactured protagonists in any genre.
Though this sea of formulaic main characters is vast, it makes it all the easier to recognize when one bucks the typical conventions and actually proves that there’s room for unique takes on the genre. That Time I Got Reincarnated as a Slime adheres to a few cliches, but it also manages to set a new bar for what a captivating isekai protagonist can be.
Breaking the Mold
That Time I Got Reincarnated as a Slime is as wholesome and optimistic an anime as they come. The tone can be deceptive at first; when Satoru Mikami is suddenly stabbed when trying to protect his junior, his dying wish is for his computer’s hard drive to be destroyed. But after being reincarnated as a slime–and gaining the new name Rimuru Tempest–his true desires become clear: world peace and a simple, comfortable life with friends.
What’s immediately striking about Rimuru as the main character is that he starts off as an average 37-year-old man. He spent his life working hard and appeasing his higher-ups to climb the corporate ladder. Shady hard drive aside, he lived a respectable and long life compared to the vast majority of protagonists in the genre. This significant age difference is evident in nearly every action and major decision Rimuru makes; he looks at situations practically before jumping headfirst into conflict.
When Rimuru gets a drink poured on him by a noble in a bar, for instance, he quells his anger in consideration of the bar and the friends around him. When someone asks for his aid in an impending battle, he pauses to go over all the available information and reaches a consensus among everyone before agreeing. And when protecting a goblin village from a pack of wolves, he doesn’t just mindlessly slaughter all the wolves; he looks for the way of least resistance (killing the leader of the pack) before ultimately integrating them with the goblins as equals. Though his human form looks young, it’s the wisdom behind his actions that makes those around him respect his leadership.
This is especially impressive considering just how overpowered Rimuru is. His transformation into a slime came with resistances to fire, cold, electric currents, pain, paralysis, and the ability to absorb, analyze, and take the form of anything he wants. In other words, he could go down the path of the typical shounen protagonist and solve his problems with his fists, but he never lets his overwhelming power dictate his decision-making process.
Leading a Nation
That Time I Got Reincarnated as a Slime is as much about Rimuru’s adventures as it is about the rise of the independent monster nation he helps establish. Instead of running off in search of adventure, the little slime decides to nurture the goblin village he protected at the outset. He helps the goblins and wolves “level up” by naming them, shows them sustainable ways to gather food and build makeshift defenses, and even brings back dwarves to introduce blacksmithing and carpentry.
Through expansion, industrialization, and conflict, Rimuru manages to orchestrate the creation of his country in a way that’s genuinely believable. His ambitions for a peaceful and integrated world play out in his willingness to accept other goblin tribes, ogres, lizardmen, and even friendly humans in his country. Being able to rationally read situations makes forging alliances and negotiating with neighboring nations possible. When a major calamity threatens all life in the forest, Rimuru wastes no time in holding a summit and allying with other forest dwellers over a common interest.
None of this would be possible without the uncanny, Luffy-like ability to inspire a sense of trust and reliability in those he comes across. Just like the members of the Straw Hat Pirates follow Luffy out of respect and loyalty, Rimuru’s commanders follow him because of his sound judgment and dedication to seeing everyone in his nation be happy. It’s satisfying seeing members of Rimuru’s guard take personal offense when others talk poorly of him because it’s clear that he’s earned the respect he’s given.
If isekai is to continue growing in popularity and thriving long-term, room must be made for different types of protagonists. Be they depraved, refreshingly honest characters like Kazuma or upstanding yet easygoing leaders like Rimuru, both demonstrate how valuable it is to shake up the formula and try new approaches to the genre. If the constant barrage of isekai has bittered your tolerance to it as a whole, That Time I got Reincarnated as a Slime is well worth giving a shot.
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