The first season of Castlevania moved along at a deft clip. The storytelling was epic, the action was fast and frenetic, and there always seemed to be something happening. In fact, one of the main criticisms of Netflix‘s first stab at Konami’s vampire-slaying saga was that it was too brief.
At a mere 4 episodes, fans could be forgiven for wanting a bit more from the inaugural season of Castlevania, and with this in mind, it would seem that the expansion to 8 episodes for the series’ second season would be a natural progression. However, while the runtime has increased for Castlevania‘s sophomore effort, there may not be the depth or breadth of content to justify the extra 2 hours.
The main issue with Castlevania‘s second season is that its most interesting characters spend half the season doing next to nothing. I kid you not when I say that Trevor, Sypha and Alucard, the protagonists of this series, spend literally 4 of the 8 episodes puttering around in a library. While one can recognize how this allows these new allies to engage in banter and develop as characters, it makes for some pretty tedious story-telling.
Likewise, Dracula, who arrived as a shockingly effective villain in the first season of Castlevania spends a vast chunk of the second season brooding in his study while his subordinates make reports to him. All in all this sidelining of the central protagonists and antagonist is easily this season’s biggest weakness.
Luckily, however, there is some fresh blood to keep things from totally going stale. As Dracula gathers his war council in the premiere, many new characters are introduced. Fans will recognize Carmilla almost immediately when she appears, and she is faithful to her treachery and deceit from the series, most notably in Symphony of the Night.
Peter Stormare also joins the cast, which is a welcome addition. Unfortunately, he’s almost completely wasted as the Viking warlord turned vampire, Godbrand. Stormare is an actor of considerable talent, so it’s a bit of a bummer to see him offered so little to do in Castlevania.
Either way, the strongest additions by far are the human characters who serve on Dracula’s council. Hector and Isaac are placed in charge of the mission to exterminate humanity, and their place in the show is a fascinating one. Both humans who despise their own kind due to the cruelty they’ve endured, they seek to eradicate their own species at the behest of Dracula. Both characters are given a lot more depth than would be expected for their roles, and it’s a welcome breath of fresh air with so much of the cast just sitting around for vast swathes of time.
They also run his devil forges, a very cool part of the Castlevania mythology that serves to explain the never-ending supply of demons and monsters in the series. Seeing the devil forges at work is actually pretty damn cool, much like how it’s surprisingly satisfying to see the inner machinations of how Dracula moves his castle to new locations.
In fact, fans will recognize lots of fun additions being added from the franchise canon. I won’t spoil them here but just to give you an idea: iconic weapons, enemies, and bosses do make key appearances in the second season. Also key is the use of the Belmont ancestral home as a backdrop, a place where other series protagonists are referenced and name-dropped in a bevy of Easter eggs for eagle-eyed fans.
All in all Castlevania‘s second season isn’t a total disappointment, but the amount of time it spends dragging its heels might really leave you wondering if 8 episodes were the best fit for this amount of storytelling. For every cool battle scene or natural addition that improves the quality of the narrative, there is another scene of Trevor and Alucard teasing one another in a library, or Dracula staring mournfully into his fireplace.
Now, just to give a clear and concise disclosure, Netflix only offered us episodes 1-6 of the 8 episode season in advance, and things did seem to really be picking up in the 6th episode especially. So if you find yourself wanting more with the new season of Castlevania, as this reviewer did, it’s worth noting that the best may be yet to come.
Either way, if you enjoyed the first season of Castlevania, you should find enough to like here to make the short trip through the second season worthwhile. There are some excellent moments, and even if the action is more sparse, it does pack a bloody and satisfying punch when it arrives at last. Those who are not die-hard series fans, however, might not find much to sink their teeth into.
Castlevania will be released for all Netflix subscribers on October 24th.
‘Weathering With You’ Isn’t Quite the Storm It Wanted to Be
Makoto Shinkai’s Weathering With You delivers a gorgeous film that doesn’t quite resonate as much as it wanted to.
Climate change and global warming have been topics of concern and discussion for years now, with melting ice caps and rising ocean temperatures being some of many signs. Director Makoto Shinkai — acclaimed the world over for his 2016 work Your Name — aims to show just how at the mercy humans are to the weather with his newest animated film, Weathering With You. Although he presents a visually stunning depiction of Mother Nature in all her various moods, Weathering With You ultimately lacks the storming power it seeks to bear upon its audience.
Tokyo has been having a particularly rainy year, seeing precipitation almost every day and nary a sight of the sun or clear blue skies. It’s during this unusual time that high school boy Hodaka arrives in the metropolis seeking escape from the suffocating life he had on his island. The young teenager naturally has trouble finding his bearings on his own in the oftentimes unforgiving hustle and bustle of the city. It’s in these early scenes that Weathering With You has some of its strongest moments, depicting the uglier side of Japanese society not often seen in anime, while also highlighting Hodaka’s strength of character to make it on his own.
As Hodaka gradually carves out his own place in the city, he eventually has an encounter with a young girl named Hina. Matching her sunny and cheerful disposition, Hina has the ability to make it stop raining and have the sunshine in very localized spots by praying to the sky. In a place where the rain never ceases, it’s easy to see why Hodaka latches onto Hina to use for the greater good (while also making a little pocket change along the way).
“The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air caught by the leftover humidity.”
Gloomy skies and damp grounds can take their toll on one’s mood and psyche, which someone who lives in such a climate can surely relate to. Even the briefest moments of sunshine revitalize us and give a glimpse of the “light at the end of the tunnel.” Hodaka and Hina’s “100% Sunshine Girl” services to those in need of that light boldly underscore that fact, and make for a strong argument for how the weather affects us all beyond its objective physicality, along with providing some much-appreciated levity to the story.
That power of weather is beautifully illustrated by CoMix Wave Films’ stupendous animation efforts. The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air, caught by the leftover humidity. Tokyo itself isn’t to be outdone either, with its streets running the gamut between peaceful neighborhoods to grimy and dark back alleys with dilapidated buildings. The animation is punctuated by the return of Japanese band RADWIMPS, who create numerous memorable tracks to complement the wild swings in mood that weather can elicit.
That makes it all the more unfortunate, however, that the greater narrative is so weak.
The progression of Weathering With You is made painfully obvious right from the outset of the story — so much so that it’s hard to wonder if it’s actually the set-up for a bait-and-switch. As a result, much of the first half of the film is simply waiting for the other shoe to drop, making it difficult to really settle in and become intimate with its characters.
This would be less of an issue if the cast had smaller interactions that were a delight to watch, but they fall short in that regard as well. All of the characters have a charm to them for sure — with Hina’s younger elementary school brother, Nagi, putting modern playboys to shame being a particular standout — but the story never quite makes a compelling case as to why they are as close as they are, especially Hina and Hodaka. They’re fun enough to watch be together, but don’t quite make that emotional attachment with the viewer that the story wants to create.
That lack of an emotional connection is distinctly felt in Weathering With You’s second act, when unnecessary confrontations and bizarre plot directions converge to create an artificial sense of stakes amidst a central conflict that would have been fine on its own. What’s meant to strengthen the impression of the characters’ bonds instead cheapens it, undermining the already faulty progress the first half did make. The result is a narrative that’s hard to care about, although its ending does leave the viewer with some potentially interesting questions to ponder.
Weathering With You is far from a bad movie, however. It has a clear direction and vision with a message to say about our climate crisis. The characters are endearing enough, and there are a handful of heartfelt scenes because of that. It also cannot be understated just how drop-dead gorgeous the animation is. The story, however, is simply too straightforward for its own good, resulting in an experience that is at times enjoyable, and at others plain boring.
And that’s only when being judged in a vacuum on the movie’s own merits. When compared to Shinkai’s recent masterpiece that is Your Name, it’s hard to see Weathering With You as anything but a disappointing follow-up. That’s perhaps the film’s greatest weakness, but fortunately, it’s one that Shinkai’s next work won’t have, and we can still look forward to it because of that fact.
How Rimuru Tempest Changed the Game for Isekai Protagonists
That Time I Got Reincarnated as a Slime shines within the vast sea of generic isekai thanks in no small part to protagonist Rimuru Tempest.
The core premise of the isekai genre–a character being transported from their everyday life on Earth to a parallel universe–has become wildly popular for a reason: it’s an immensely appealing fantasy. Just as audiences everywhere fell in love with the seminal Spirited Away in the early 2000s, it’s still exciting to fantasize about discovering a new world and going on all manner of crazy adventures. However, the incessant flood of new isekai every season to capitalize on this trend has resulted in some of the most generic, overly-manufactured protagonists in any genre.
Though this sea of formulaic main characters is vast, it makes it all the easier to recognize when one bucks the typical conventions and actually proves that there’s room for unique takes on the genre. That Time I Got Reincarnated as a Slime adheres to a few cliches, but it also manages to set a new bar for what a captivating isekai protagonist can be.
Breaking the Mold
That Time I Got Reincarnated as a Slime is as wholesome and optimistic an anime as they come. The tone can be deceptive at first; when Satoru Mikami is suddenly stabbed when trying to protect his junior, his dying wish is for his computer’s hard drive to be destroyed. But after being reincarnated as a slime–and gaining the new name Rimuru Tempest–his true desires become clear: world peace and a simple, comfortable life with friends.
What’s immediately striking about Rimuru as the main character is that he starts off as an average 37-year-old man. He spent his life working hard and appeasing his higher-ups to climb the corporate ladder. Shady hard drive aside, he lived a respectable and long life compared to the vast majority of protagonists in the genre. This significant age difference is evident in nearly every action and major decision Rimuru makes; he looks at situations practically before jumping headfirst into conflict.
When Rimuru gets a drink poured on him by a noble in a bar, for instance, he quells his anger in consideration of the bar and the friends around him. When someone asks for his aid in an impending battle, he pauses to go over all the available information and reaches a consensus among everyone before agreeing. And when protecting a goblin village from a pack of wolves, he doesn’t just mindlessly slaughter all the wolves; he looks for the way of least resistance (killing the leader of the pack) before ultimately integrating them with the goblins as equals. Though his human form looks young, it’s the wisdom behind his actions that makes those around him respect his leadership.
This is especially impressive considering just how overpowered Rimuru is. His transformation into a slime came with resistances to fire, cold, electric currents, pain, paralysis, and the ability to absorb, analyze, and take the form of anything he wants. In other words, he could go down the path of the typical shounen protagonist and solve his problems with his fists, but he never lets his overwhelming power dictate his decision-making process.
Leading a Nation
That Time I Got Reincarnated as a Slime is as much about Rimuru’s adventures as it is about the rise of the independent monster nation he helps establish. Instead of running off in search of adventure, the little slime decides to nurture the goblin village he protected at the outset. He helps the goblins and wolves “level up” by naming them, shows them sustainable ways to gather food and build makeshift defenses, and even brings back dwarves to introduce blacksmithing and carpentry.
Through expansion, industrialization, and conflict, Rimuru manages to orchestrate the creation of his country in a way that’s genuinely believable. His ambitions for a peaceful and integrated world play out in his willingness to accept other goblin tribes, ogres, lizardmen, and even friendly humans in his country. Being able to rationally read situations makes forging alliances and negotiating with neighboring nations possible. When a major calamity threatens all life in the forest, Rimuru wastes no time in holding a summit and allying with other forest dwellers over a common interest.
None of this would be possible without the uncanny, Luffy-like ability to inspire a sense of trust and reliability in those he comes across. Just like the members of the Straw Hat Pirates follow Luffy out of respect and loyalty, Rimuru’s commanders follow him because of his sound judgment and dedication to seeing everyone in his nation be happy. It’s satisfying seeing members of Rimuru’s guard take personal offense when others talk poorly of him because it’s clear that he’s earned the respect he’s given.
If isekai is to continue growing in popularity and thriving long-term, room must be made for different types of protagonists. Be they depraved, refreshingly honest characters like Kazuma or upstanding yet easygoing leaders like Rimuru, both demonstrate how valuable it is to shake up the formula and try new approaches to the genre. If the constant barrage of isekai has bittered your tolerance to it as a whole, That Time I got Reincarnated as a Slime is well worth giving a shot.
Anime Ichiban 23: New Decade, Same Questionable Tastes
Hatsune Miku at Coachella? Mangadex getting targeted for legal issues? People defending OreImo? 2020 is off to a crazy start!
Welcome to 2020, Anime Ichiban listeners!
Lots of things have happened in the past few weeks, not the least of which is Hatsune Miku making her Coachella debut. After catching up on industry news, we take a look back at some of our more questionable choices in anime and how on earth we manage to defend them.
0:00 – Introduction and what we’ve been playing
17:46 – Hatsune Miku to Perform at Coachella
25:29 – Crunchyroll’s “Most Watched Shows of the Decade”
30:03 – Funimation’s Popularity Awards
38:13 – Wages in the Japanese Animation Industry
45:38 – Miki Yoshikawa’s New, Fan-Picked Serialization
47:08 – Legal Trouble Brewing for Mangadex
57:02 – Highest Grossing Domestic Anime Films for Japan in 2019
59:33 – What shows surprised us and which ones do we struggle to defend?
Intro – “Dream X Scramble!” by Airi (Keijo!!!!!!!! OP)
Outro – “Lucky☆Orb feat. Hatsune Miku” by emon(Tes.)
Royal Rumble 2020: The Good, The Bad, and The Tolerable
Sordid Cinema Podcast: Does John Carpenter’s ‘In the Mouth of Madness’ Stand the Test of Time?
‘The Gentlemen’ is Familiar, Grungy Territory for Guy Ritchie
Star Trek: Picard: “Remembrance” Introduces a Different Picard
Sundance 2020: ‘Vitalina Varela’ Is a Love Letter to Faces
Sundance 2020: ‘Shirley’ Is Another Triumph for Josephine Decker
Sundance 2020: Ai Weiwei’s ‘Vivos’ Is a Somber Requiem for Democracy
‘Color Out of Space’ is Pure Cosmic Horror
My Love/Hate Affair With ‘Star Trek’
Let’s Remember Why ‘Tremors’ is a Beloved Cult Hit
Kingdom Hearts: Chain of Memories – The Best (and Only) Card-Based Action RPG on the GBA
Greatest Royal Rumble Matches: Kurt Angle vs. Chris Benoit
How Rimuru Tempest Changed the Game for Isekai Protagonists
PAX South Hands On: ‘Boyfriend Dungeon’ Wields Weapons of Love
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Bitores Mendez Teaches You the Politics of Pain in ‘Resident Evil 4’
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The Best Games of the 2010s
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The Best Anime of the Decade (Ranks 25-1)
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The History of The Grudge: The Beginning of the Curse
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- TV3 weeks ago
20 Years Later and How ‘Malcolm in the Middle’ Revolutionized the Sitcom
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The Best Anime of the Decade (Ranks 50-26)