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Netflix’s ‘Cannon Busters’ Struggles to Fire Off a Clean Shot

LeSean Thomas’ unique western/cyberpunk fusion is a wondrous world with very few compelling characters and even fewer reasons to be invested.

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It’s thrilling to find an anime that operates outside of genre norms. The self-serious framing around comedic darling Kaguya-sama not only made each scene more amusing, but it also alleviated the show from treading many of the same tired school anime tropes. Cannon Busters shakes up the setting of modern adventure by presenting a genuinely compelling, fantastical world that fuses western and cyberpunk elements.

This makes it all the more frustrating that Cannon Busters consistently falls short of its potential. For as much love is put into its visual design, its narrative design suffers from mixed character writing, poor pacing, and a plot that can’t stay out of its own way.

On the Road Again

Philly the Kid is an outlaw cursed with immortality. Whenever he dies, he regenerates, and the number of that death appears as a tattoo somewhere on his body. It’s shounen character design at its finest, and gives Philly much more of a cool factor than he rightly deserves.

After running from the law and living out of his trusty half-car, half-mech Bessie for years, he encounters two unique bots: Casey Turnbuckle, a little engineer who absolutely loves fixing things, and Sam, a hyper-friendly royal bot determined to reunite with the prince of her far-off homeland. After a quick run-in with some bounty hunters, the group finds themselves temporarily joining forces and high-tailing it out of town together under the premise of escaping and finding Sam’s prince.

Cannon Busters essentially takes the form of a massive road trip that has the crew visiting a slew of towns inspired by the American frontier, technological dystopias, and otherworldly nooks where colorful characters spend their days. Handled by Satelight, the studio behind Log Horizon and partially responsible for Fairy Tail, the environmental detail of every location is one of Cannon Busters’ greatest strengths. Not only are many of the locales visually distinct, but they each come off as a natural part of the world as a whole.

cannon busters

A Lack of Character

The problem is that the best parts of Cannon Busters–the road trip feel and gradual friendship that grows amongst the crew–are bogged down by questionable character design and poor pacing. The first couple of episodes are terribly slow going and monotonous, things only exasperated by Philly’s dedication to being a detestable main character. He incessantly complains about traveling with the bots, treats his car like garbage, bemoans his life as a whole, and manages to get himself killed for stupid reasons that elicit reactions ranging from “He should’ve seen that coming” to “Is this supposed to be funny?”

Having a good-for-nothing protagonist can work if they have a certain redeeming quality or if there’s significant growth throughout the season, but neither of those are present. Even worse, however, is making the goal of a show to reunite with someone hardly worth caring about. The bratty, spoiled Prince Kelby is equally as frustrating as Philly, but for different reasons. He acts more like a child than a teen, making silly demands and being forced to behave by his retainer, Odin. It follows that a young prince might realistically be spoiled and ungrateful, but it completely diffuses any desire the viewer might have to see him escape unscathed.

Surprisingly enough, it’s actually the two bots that end up being far-and-away the best written, most enjoyable characters out of the entire cast. Sam has the emotional range that both her chauffeur and prince lack, to the point that it’s almost tragic that Sam yearns to be by Kelby’s side so strongly. Built as a mere companion bot for the prince during his youth, her innocent interpretations of less proper human customs and language are often a riot. More impressively, though, she gradually learns and applies lessons from her travels and being around Philly.

Casey is just as entertaining. She’s a lovable tech nerd who almost single-handedly turns Bessie into something of a fourth party member because of how much she loves to work on the car. Her “I-can-fix-anything” attitude and general optimism make her reliably sweet, and her dedicated side-story is the best of the entire season.

More Than a Few Loose Screws

An adequate action-focused anime doesn’t necessarily need a top-notch overarching plot, and that’s what makes this a decently fun ride for most of its runtime. The premise works well, and the crew’s travels have their moments, but the overall plot, character development, and scenario writing are far too haphazard. Mysterious characters are built up only to be revealed as lackluster threats. Philly’s tale of how he gained immortality is barely touched upon, and his ultimate character motivation is so weakly presented that he would’ve been better off without one at all. There are occasional standouts like the drunken samurai 9ine who shines early on with plenty of potential for bombastic fight scenes, but even his character is held back by head-scratching story decisions late in the season.

Cannon Busters is at its best when it’s honing in on short, one-episode stories. Sam and Casey steal the show to the point where, like with the DanMachi spinoff Sword Oratoria, a side season solely revolving around their escapades would be more than welcome. Unfortunately, the infuriating bratiness of Prince Kelby combined with one of the least likable protagonists in recent memory leaves this first outing struggling to get its hooks in viewers. A severely disappointing final act makes me cautious to recommend this to anyone beyond those looking for a uniquely-themed adventure anime or those simply itching for something new to binge on Netflix.

You can watch Cannon Busters on Netflix.

Brent fell head over heels for writing at the ripe age of seven and hasn't looked back since. His first love is the JRPG, but he can enjoy anything with a good hook and a pop of color. When he isn't writing about the latest indie release or binging gaming coverage on YouTube, you can find Brent watching and critiquing all manner of anime. Send him recommendations or join him in being way too excited about Animal Crossing: New Horizons @CreamBasics on Twitter.

4 Comments

4 Comments

  1. Ralph Anthony

    November 9, 2019 at 9:04 pm

    Definitely have to disagree just finished the season. The show is pretty good from the visuals to the story. It’s no less of a shallow show than most animes that most geeks praise. I know most geeks have no life outside anime and like to get caught up in the fantasy of being in that world, they like to feel personally connected to the characters and the settings. Why not just embrace it for what it is, a cartoon.Can’t wait for season 2

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‘Weathering With You’ Isn’t Quite the Storm It Wanted to Be

Makoto Shinkai’s Weathering With You delivers a gorgeous film that doesn’t quite resonate as much as it wanted to.

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Weathering With You Hina

Climate change and global warming have been topics of concern and discussion for years now, with melting ice caps and rising ocean temperatures being some of many signs. Director Makoto Shinkai — acclaimed the world over for his 2016 work Your Name — aims to show just how at the mercy humans are to the weather with his newest animated film, Weathering With You. Although he presents a visually stunning depiction of Mother Nature in all her various moods, Weathering With You ultimately lacks the storming power it seeks to bear upon its audience.

Tokyo has been having a particularly rainy year, seeing precipitation almost every day and nary a sight of the sun or clear blue skies. It’s during this unusual time that high school boy Hodaka arrives in the metropolis seeking escape from the suffocating life he had on his island. The young teenager naturally has trouble finding his bearings on his own in the oftentimes unforgiving hustle and bustle of the city. It’s in these early scenes that Weathering With You has some of its strongest moments, depicting the uglier side of Japanese society not often seen in anime, while also highlighting Hodaka’s strength of character to make it on his own. 

Weathering With You Hodaka and Hina

As Hodaka gradually carves out his own place in the city, he eventually has an encounter with a young girl named Hina. Matching her sunny and cheerful disposition, Hina has the ability to make it stop raining and have the sunshine in very localized spots by praying to the sky. In a place where the rain never ceases, it’s easy to see why Hodaka latches onto Hina to use for the greater good (while also making a little pocket change along the way).

“The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air caught by the leftover humidity.”

Gloomy skies and damp grounds can take their toll on one’s mood and psyche, which someone who lives in such a climate can surely relate to. Even the briefest moments of sunshine revitalize us and give a glimpse of the “light at the end of the tunnel.” Hodaka and Hina’s “100% Sunshine Girl” services to those in need of that light boldly underscore that fact, and make for a strong argument for how the weather affects us all beyond its objective physicality, along with providing some much-appreciated levity to the story. 

That power of weather is beautifully illustrated by CoMix Wave Films’ stupendous animation efforts. The hand-drawn rain is downright mesmerizing in all its forms — fierce and calm — while the sunshine that follows seems to hang in the air, caught by the leftover humidity. Tokyo itself isn’t to be outdone either, with its streets running the gamut between peaceful neighborhoods to grimy and dark back alleys with dilapidated buildings. The animation is punctuated by the return of Japanese band RADWIMPS, who create numerous memorable tracks to complement the wild swings in mood that weather can elicit.

That makes it all the more unfortunate, however, that the greater narrative is so weak.

The progression of Weathering With You is made painfully obvious right from the outset of the story — so much so that it’s hard to wonder if it’s actually the set-up for a bait-and-switch. As a result, much of the first half of the film is simply waiting for the other shoe to drop, making it difficult to really settle in and become intimate with its characters. 

Weathering With you Hodaka and Hina

This would be less of an issue if the cast had smaller interactions that were a delight to watch, but they fall short in that regard as well. All of the characters have a charm to them for sure — with Hina’s younger elementary school brother, Nagi, putting modern playboys to shame being a particular standout — but the story never quite makes a compelling case as to why they are as close as they are, especially Hina and Hodaka. They’re fun enough to watch be together, but don’t quite make that emotional attachment with the viewer that the story wants to create.

That lack of an emotional connection is distinctly felt in Weathering With You’s second act, when unnecessary confrontations and bizarre plot directions converge to create an artificial sense of stakes amidst a central conflict that would have been fine on its own. What’s meant to strengthen the impression of the characters’ bonds instead cheapens it, undermining the already faulty progress the first half did make. The result is a narrative that’s hard to care about, although its ending does leave the viewer with some potentially interesting questions to ponder.

Weathering With You is far from a bad movie, however. It has a clear direction and vision with a message to say about our climate crisis. The characters are endearing enough, and there are a handful of heartfelt scenes because of that. It also cannot be understated just how drop-dead gorgeous the animation is. The story, however, is simply too straightforward for its own good, resulting in an experience that is at times enjoyable, and at others plain boring.

And that’s only when being judged in a vacuum on the movie’s own merits. When compared to Shinkai’s recent masterpiece that is Your Name, it’s hard to see Weathering With You as anything but a disappointing follow-up. That’s perhaps the film’s greatest weakness, but fortunately, it’s one that Shinkai’s next work won’t have, and we can still look forward to it because of that fact.

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How Rimuru Tempest Changed the Game for Isekai Protagonists

That Time I Got Reincarnated as a Slime shines within the vast sea of generic isekai thanks in no small part to protagonist Rimuru Tempest.

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that time i got reincarnated as a slime

The core premise of the isekai genre–a character being transported from their everyday life on Earth to a parallel universe–has become wildly popular for a reason: it’s an immensely appealing fantasy. Just as audiences everywhere fell in love with the seminal Spirited Away in the early 2000s, it’s still exciting to fantasize about discovering a new world and going on all manner of crazy adventures. However, the incessant flood of new isekai every season to capitalize on this trend has resulted in some of the most generic, overly-manufactured protagonists in any genre.

Though this sea of formulaic main characters is vast, it makes it all the easier to recognize when one bucks the typical conventions and actually proves that there’s room for unique takes on the genre. That Time I Got Reincarnated as a Slime adheres to a few cliches, but it also manages to set a new bar for what a captivating isekai protagonist can be.

Rimuru in That Time I Got Reincarnated as a Slime

Breaking the Mold

That Time I Got Reincarnated as a Slime is as wholesome and optimistic an anime as they come. The tone can be deceptive at first; when Satoru Mikami is suddenly stabbed when trying to protect his junior, his dying wish is for his computer’s hard drive to be destroyed. But after being reincarnated as a slime–and gaining the new name Rimuru Tempest–his true desires become clear: world peace and a simple, comfortable life with friends.

What’s immediately striking about Rimuru as the main character is that he starts off as an average 37-year-old man. He spent his life working hard and appeasing his higher-ups to climb the corporate ladder. Shady hard drive aside, he lived a respectable and long life compared to the vast majority of protagonists in the genre. This significant age difference is evident in nearly every action and major decision Rimuru makes; he looks at situations practically before jumping headfirst into conflict.

That Time I Got Reincarnated as a Slime

When Rimuru gets a drink poured on him by a noble in a bar, for instance, he quells his anger in consideration of the bar and the friends around him. When someone asks for his aid in an impending battle, he pauses to go over all the available information and reaches a consensus among everyone before agreeing. And when protecting a goblin village from a pack of wolves, he doesn’t just mindlessly slaughter all the wolves; he looks for the way of least resistance (killing the leader of the pack) before ultimately integrating them with the goblins as equals. Though his human form looks young, it’s the wisdom behind his actions that makes those around him respect his leadership.

This is especially impressive considering just how overpowered Rimuru is. His transformation into a slime came with resistances to fire, cold, electric currents, pain, paralysis, and the ability to absorb, analyze, and take the form of anything he wants. In other words, he could go down the path of the typical shounen protagonist and solve his problems with his fists, but he never lets his overwhelming power dictate his decision-making process.

Rimuru meeting with his commanders.

Leading a Nation

That Time I Got Reincarnated as a Slime is as much about Rimuru’s adventures as it is about the rise of the independent monster nation he helps establish. Instead of running off in search of adventure, the little slime decides to nurture the goblin village he protected at the outset. He helps the goblins and wolves “level up” by naming them, shows them sustainable ways to gather food and build makeshift defenses, and even brings back dwarves to introduce blacksmithing and carpentry.

Through expansion, industrialization, and conflict, Rimuru manages to orchestrate the creation of his country in a way that’s genuinely believable. His ambitions for a peaceful and integrated world play out in his willingness to accept other goblin tribes, ogres, lizardmen, and even friendly humans in his country. Being able to rationally read situations makes forging alliances and negotiating with neighboring nations possible. When a major calamity threatens all life in the forest, Rimuru wastes no time in holding a summit and allying with other forest dwellers over a common interest.

None of this would be possible without the uncanny, Luffy-like ability to inspire a sense of trust and reliability in those he comes across. Just like the members of the Straw Hat Pirates follow Luffy out of respect and loyalty, Rimuru’s commanders follow him because of his sound judgment and dedication to seeing everyone in his nation be happy. It’s satisfying seeing members of Rimuru’s guard take personal offense when others talk poorly of him because it’s clear that he’s earned the respect he’s given.

If isekai is to continue growing in popularity and thriving long-term, room must be made for different types of protagonists. Be they depraved, refreshingly honest characters like Kazuma or upstanding yet easygoing leaders like Rimuru, both demonstrate how valuable it is to shake up the formula and try new approaches to the genre. If the constant barrage of isekai has bittered your tolerance to it as a whole, That Time I got Reincarnated as a Slime is well worth giving a shot.

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Anime Ichiban 23: New Decade, Same Questionable Tastes

Hatsune Miku at Coachella? Mangadex getting targeted for legal issues? People defending OreImo? 2020 is off to a crazy start!

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Welcome to 2020, Anime Ichiban listeners!

Lots of things have happened in the past few weeks, not the least of which is Hatsune Miku making her Coachella debut. After catching up on industry news, we take a look back at some of our more questionable choices in anime and how on earth we manage to defend them.

TIMESTAMPS

0:00 – Introduction and what we’ve been playing
17:46 – Hatsune Miku to Perform at Coachella
25:29 – Crunchyroll’s “Most Watched Shows of the Decade”
30:03 – Funimation’s Popularity Awards
38:13 – Wages in the Japanese Animation Industry
45:38 – Miki Yoshikawa’s New, Fan-Picked Serialization
47:08 – Legal Trouble Brewing for Mangadex
57:02 – Highest Grossing Domestic Anime Films for Japan in 2019
59:33 – What shows surprised us and which ones do we struggle to defend?

TRACKS

Intro – “Dream X Scramble!” by Airi (Keijo!!!!!!!! OP)
Outro – “Lucky☆Orb feat. Hatsune Miku” by emon(Tes.)

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