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Brian Michael Bendis Brings Hope to the Two Main Superman Series

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Henry Cavill’s departure as Superman from the DC movie universe is not surprising. The silver screen made him out to be a simple and bland flying brick with an apathetic personality. His performance didn’t jive well with audiences, because he didn’t serve a purpose. This wasn’t Cavill’s fault, his character was not very well written or fleshed out. Don’t be mistaken, his drive to be the paragon of hope was stated numerous times, but lacked any real weight. Saying you are the best, but without proof is an empty statement. This portrayal of comic’s most famous boy scout is not the Superman audiences grew to love. For a proper portrayal of the Kryptonian, there are so many great renditions, some of which are listed at the end of the article . What he needs is a good writer to bring his values to life. Brian Michael Bendis could potentially be Superman’s saviour if he stays on track.

Action Comics #1000

Brian Michael Bendis’ shocked everyone when he switched from Marvel to DC. The creator was one of Marvel’s go-to superstars. He has a knack to create engaging story arcs focusing on a character’s growth as a person. Typically, the threats he creates aren’t generic monsters destroying the city (though that does happen often, it is a superhero comic after all). Instead, he excels at designing obstacles that confront the protagonist’s own self-worth. He had great successes with ALIAS, and his move to more popular series, such as Daredevil, Spider-Man, and the X-Men brought him and Marvel success. Watching this “betrayal” of his comic family brought up a lot of questions. The biggest mystery was what series was he going to helm. Once it was revealed he was going to write Action Comics and Superman, a lot of fans breathed a sigh of relief because his talent for writing singular character stories is well known and respected.

As of this article, he is writing two solo ongoing Superman books: Superman and Action Comics. They both take place after the six-issue limited series Man of Steel, also written by Bendis. The miniseries starts off as many #1s do. It gives a brief origin story, including a summary of his morals, and reviews his most recent adventure. Metropolis is in a moment of peace and serenity when suddenly Superman is confronted on two sides. On one hand, his father wants to take his son on a birthright trip to enlighten him of his Kryptonian heritage, and on the other, he is attacked by Rogol Zaal, an alien with a personal grudge against all Kryptonians. While Lois Lane and his son join Jor-El on the space adventure, Superman stays back to stop Rogol Zaal’s rampage. Unlike his movie counterpart that caused unnecessary amounts of collateral damage, he puts in an effort to save as many lives as possible.

It’s a wonderful series exploring what Superman stands for as he shows such sorrow when his personal belongings (especially the city of Kandor) are destroyed. He shows determination and strength to put an end to Rogol Zaal’s hate, and never loses compassion for his friends, and citizens of Metropolis. The loss of both human and Kryptonian life drives him to be a better person,; he refuses to lose hope.

It’s at this point that Action Comics and Superman follow suit. They are currently halfway through the first arc, and so far, they are capturing the perfect Superman. In Superman, Rogol Zaal sends the Earth into the Phantom Zone, while in Action Comics, a new danger is approaching slandering Superman’s good name.

Superman #1

The success of the books don’t come from the action, or Ivan Reis’ and Patrick Gleason’s art, which are wonderful. Instead, the books perfectly define Superman as a character. In Bendis’ pension for internal monologues, he shows Superman’s conflict by being a hero, a reporter, an alien, and a family man. He keeps up a positive attitude and determination without Flash’s wise-cracks. He solves mysteries without Batman’s cynicism. He shows determination to fight monsters without Wonder Woman’s warrior mentality. He’s stern when scolding a young boy for lying and then convinces him to help the community by volunteering. He encompasses everything that’s wholesome and strong. He never stops fighting. And when asked by Green Arrow if he can turn off his super senses, he gives the best response

First of all, yes I can. I can turn it off anytime I want. I don’t. I never have and never will.

He continues self-reflecting that after all the madness, and hell that happens on a daily basis he also hears and sees people helping one another out. No matter the level of destruction, he’s proud to see that even the normal folk are striving to do good. He admires this whole heartily. In another case, while observing the Earth suffering the effects of the Phantom Zone, Bendis captures Superman’s optimism with a wondrous phrase:

I’m not going to say “This day sucks”. I refuse.

In a couple of pages, Bendis masterfully depicts Superman. There’s no need to show Superman save kittens from tree-tops. Bendis understands that Superman values hard work and empathy. Letting Bendis take the lead on Superman, one of superheroes most popular and greatest heroes is a good decision.

Despite getting Superman right, the stories still fall into the same trap of many ongoing series. Unlike Superman Secret Identity, Superman: Birthright, or the perfect All Star Superman, many ongoing series promise major changes that never last the next arc. This isn’t the writer’s fault, but it’s the way the industry tends to works. In any case, Bendis brings back Superman’s charm, and personality in refreshing ways that fill the world with hope.

David Harris has lived in Montreal his whole life. He thoroughly enjoys discussing most subjects including the arts, technology, and good food. Being a fan of superheroes since he was young, it's surprising he only starting really getting into comics in CEGEP. He shows a great appreciation for good stories and dialogue, which suits his passions perfectly: television, movies, and graphic novels. As much as he loves the indie publishers, deep down he has always been a fan of the big two.

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Artist Boya Sun Talks Teamwork in ‘5 Worlds’ and ‘Chasma Knights’

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Five Worlds

This year’s DesignerCon serves as another reminder of how much it’s grown. Originally called Vinyl Toy Network, it now includes a wide variety of art and design, with exhibiting booths for various kinds of 3D and 2D art like sculpture, plush toys, prints, clothing, and books. Among them was Boya Sun, one of the artists behind the 5 Worlds graphic novel series. Sun’s booth featured his work in the form of small sculptures, riso prints, enamel pins, stickers, zines, and copies of 5 Worlds, as well as a slim concept book for the graphic novel series.

While at his art-filled booth, Sun took the time to chat with Goomba Stomp about his work in comics and collaborating with others.

5-Way Collaboration in 5 Worlds

Starting 5 Worlds after graduation, Sun feels that working on the series has made him better at comics.

Described as a mix of Avatar: The Last Airbender and Star Wars, 5 Worlds follows a star athlete, a boy from the slums, and a clumsy Sand Dancer Academy student while their worlds are plunged into peril.

“They have three books out right now,” Sun says. He adds that the series will contain five books in total.

With five impending volumes in a series called 5 Worlds, it’s fitting that the main creative team behind it is a 5-person band: Sun, his fellow artists (and former classmates) Xanthe Bouma and Matt Rockefeller, and writers Alexis and Mark Siegel.

Excerpt from 5 Worlds Book 3: The Red Maze.

Sun shares that 5 Worlds started with the Siegel siblings, recounting how they were looking for illustrators. They ultimately found Bouma, Rockefeller, and Sun, and then sent them the story bible. 

Describing their working relationship as a “5-way collaboration” of artists and writers, Sun is grateful for the partnership.

“It takes the stress away,” Sun says. He explains that if he’s weaker in an area, his teammates can come and help.

Unifying the Art

Sun further explains the art process behind 5 Worlds. Since the series is rooted in fantasy and worldbuilding, he and the other artists start with a few months devoted to concept art and sketches that cover aspects like different planets and new costumes. 

When designs are finalized, the art team splits the script evenly, and each of them gets a section to pencil.

“Our styles work pretty well with each other,” Sun says.

Excerpt from 5 Worlds Concept Book 3, which features development art for Book 3: The Red Maze. It’s available for purchase on Boya Sun’s website.

Sun also praises Rockefeller for inking all the pencil drawings, making them look “seamless” and more unified. Bouma and Sun handle coloring together.

While the concept art for 5 Worlds is often a mix of traditional and digital work, Sun says it’s different for pencilling, inking, and coloring. 

“The final production’s all digital,” he says. Sun adds that making a 5 Worlds book can take about 9-10 months. The team tries to create one book per year.  

5 Worlds poster by Sun. 

Refining Ideas on Chasma Knights

Sun worked on another graphic novel with a smaller team: just him and writer Kate Reed Petty. Together they made Chasma Knights, a tale about living toys that can fuse with people and grant them new powers.

For Chasma Knights, it started with Sun. He had the original idea, and tried to develop it for a TV show or a book. But at the time, Sun was busy with other projects, and he felt less experienced with writing.

Mark Siegel, also founding editorial and creative director of First Second Books, helped Sun with early development on Chasma Knights. Sun says that since they already had a working relationship through their collaboration on 5 Worlds, Mark Siegel was interested in more of his projects. (Sun remarks that while working on 5 Worlds can be time-consuming, it isn’t a full-time assignment, and he can do other projects too.) Mark Siegel ended up connecting Sun with Petty for help on writing Chasma Knights, and later First Second published it. (5 Worlds is published by Penguin Random House.)

“She was very receptive of my ideas in the collaboration,” says Sun when recalling his partnership with Petty. He adds that Chasma Knights had topics that interested both of them.

Working with a writer like Petty had been enjoyable for Sun. He says that he presented his ideas to her, and she “took them, digested them.” When he had been on his own, he found it hard to narrow down ideas. In contrast, Sun found it helpful to talk things through with a writer.

Although they finalized the plot together, Sun says much of the world of Chasma Knights was invented after the scripting stage, when it was time for him to illustrate it.

Excerpt from Chasma Knights by Boya Sun and Kate Reed Petty.

While Petty hinted on her website that she has a new project with First Second, Sun shares that he’s developing a pitch for a graphic novel that he intends to write and illustrate by himself. Of course, this is going on while he continues to work on 5 Worlds. Sun says that the fourth book of the series will launch in May 2020

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A Lost Comic?: Remembering Emily Carroll’s ‘Anu-Anulan and Yir’s Daughter’

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Emily Carroll’s Anu-Anulan and Yir's Daughter

The internet has the potential to be an archive for a phenomenal amount of information and creativity from countless people who share their work. But it’s not an automatically foolproof archive. Take for instance the poignant short webcomic Anu-Anulan and Yir’s Daughter by Eisner-winning author-illustrator Emily Carroll, now missing from her website without comment. 

(Image source: The Comics Journal)

It’s unfortunate, and raises questions. One possibility is that it no longer fit the tone of Carroll’s growing portfolio. She has always been renowned for her horror comics. Her chillingly imaginative His Face All Red put her on the digital map in 2010, grabbing the internet’s attention. She entered traditional publishing with her horror anthology Through the Woods and When I Arrived at the Castle. In contrast, Anu-Anulan and Yir’s Daughter doesn’t terrify; it doesn’t even creep you out a little. It sticks out of Carroll’s horror portfolio as an innocuous anomaly. Without it, her body of work becomes more apparent in its bloodcurdling intent. 

But part of the unique appeal of Anu-Anulan and Yir’s Daughter stemmed from the fact that it was so different from the rest of Carroll’s work. It was fascinating to see her art in a softer context. Her line work soothed instead of horrified. This short webcomic was ultimately a charming love story with fairy tale overtones. 

It starts with the goddess Anu-Anulan in love with the silver hair of a mortal woman, Yir’s daughter. Anu-Anulan shapeshifts into three different disguises — a crow, a child, and a warrior — to trick Yir’s daughter into giving up each braid of her hair. But when the goddess has them all, she realizes it wasn’t the hair she loved. Without a disguise and finally as herself, Anu-Anulan meets Yir’s daughter, whose name is Yorenn. The goddess shows Yorenn that she has made the moon out of her silver hair. In the end, the mortal woman reciprocates Anu-Anulan’s love, and they live a full life together. 

(Image source: WordPress blog)

Anu-Anulan and Yir’s Daughter had the rhythm, philosophy, logic, and language of a fairy tale. It even had repeating lines that were thematically reversed toward the end. But it was also a fairy tale that told a new story with nuance and deeper characterization. How the goddess realized her true feelings for Yorenn was approached with thoughtful and subtle execution, deftly moving from playful whimsy to a dawning self-awareness of a more down-to-earth love. There was a tender montage of the couple living a normal life, celebrating the small moments that build and maintain a relationship.

 “I wanted to show that they ended up in love, but that love needed to include moments that were both mundane as well as passionate—and simply showing a panel of them old together at the end wasn’t enough,” Carroll told The Comics Journal in a 2011 interview when discussing Anu-Anulan and Yir’s Daughter. “And I also wanted to show that it’s not just a single sweeping romantic gesture that makes a love story, it’s also the everyday moments (like having a meal, or taking a walk, or just having a laugh together) that can mean just as much.” 

Besides Carroll’s interesting discussion of Anu-Anulan and Yir’s Daughter in The Comics Journal, other snippets of it fortunately still exist. There are screenshots of some scenes on old blog posts that recommend it. It’s part of a TV Tropes page about Carroll, and it’s included in a scholarly article from the Journal of Multimodal Rhetorics. There’s even a YouTube video that almost preserves the comic in its entirety, only lacking the very last part. These traces are also a sign of the impact that Carroll’s fairy tale romance left behind, ranging from suggestions for a good story to academic study. 

Although Carroll is a master at crafting horror in comics, she also produced one of the best love stories with Anu-Anulan and Yir’s Daughter. She packed so much meaningful storytelling and heartfelt emotion in a succinct and elegantly drawn tale. The whole thing felt like a snapshot of fairy tale logic meeting raw emotion, which then forged a new balance between each other. This short comic held the mythic quality of a goddess and a mortal falling in love, and then contrasted it with the domestic flow of their relationship in practice. Whether or not it will ever resurface in its original form, Anu-Anulan and Yir’s Daughter persists as a fond memory.

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Scott Snyder’s ‘Wytches’ Cast a Hypnotic Spell that Still Lingers

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Wytches Image Comics Review

One of the most hotly anticipated comics released in 2014 came from Image Comics and writer Scott Snyder (American Vampire). The horror series titled Wytches was met with such critical acclaim that it had been optioned by New Regency, with Plan B set to produce a feature film adaptation– and that was only after one issue hit the shelves. Unfortunately, the movie adaptation was never made (and likely never will be), but the limited series became one of the hottest comics of that year and in a way, sort of revolutionized the witch mythology for a new generation of horror fans.

With Wytches, Snyder breathed new life into the horror mythos. From the first two pages (which consists solely of the definition of the word “witch” written in a gothic font) to the fiery finish, Wytches sets an oppressive mood with its unconventional, confounding style. The original six issues are both stylish, and compelling and left readers both bewildered and curious about what would come next. Snyder and artist Jock created such a visceral experience that the combination of menacing Grand Guignol atmosphere, dazzling colours, gory violence and interesting set up went beyond the typical feel of a comic. Syder knows how to tell a good horror story in comics, and if there was ever any doubt, Wytches put that uncertainty to rest.

Across the globe, century after century, men and women were burned, drowned, hanged, tortured, imprisoned, persecuted, and murdered for witchcraft. None of them were witches. They died protecting a terrible and hidden truth: witches, real witches, are out there. They are ancient, elusive, and deadly creatures that are rarely seen and even more rarely survived.

Wytches Issue 1, Image Comics

What is Wytches about?

The story begins on August 1919, focusing on the Cray family. Tim, a young boy is walking through the woods and hears a woman crying out in pain. As he moves closer to investigate, he discovers his mother trapped inside a tree with blood dripping down her face. Her nose is cut off and she begs for help. The young boy picks up a giant rock and begins to smash her skull in. Pledged is pledged he tells her, and just like that, the opening flashback gives us a brief glimpse at the horror we can expect.

Fast forward to the present day and the Rooks have just moved to a new town in New Hampshire leaving behind a traumatic event from the past and hoping the move will put some distance between the family and what transpired. Charlie, the loving father, is a cartoonist who writes children’s stories with a vivid imagination. He’s passionate about his cartooning career but he never puts his work over his family. His wife Lucy has suffered an accident that’s left her in a wheelchair, but she stays supportive and focused on being positive. Their withdrawn, anxiety-ridden, troubled teenage daughter, Sailor, is the centerpiece of the series. Sailor faced an event that has left her emotionally scarred and so Charlie decided they needed a fresh start, but as we all know, some things you just can’t run from. If it wasn’t hard enough for Sailor to try to fit in at a new school, she must now deal with the growing lesion on her neck, a laceration which appears to have both physical and psychological effects on her wellbeing.

The prologue itself is a mystery; a story within a story, a nightmare in endlessly reflecting mirrors, and a place where time can stand still. As the Rooks family begins to unravel, the remaining five chapters offer more questions than answers.

scott-snyder-wytches-cover

Scott Snyder’s Horror

Scott Snyder, a writer who made his name in the horror genre before moving on to mainstream superhero work, plants many seeds for a disquieting little character study. What makes Wytches so harrowing is the sense of unequivocal dread that’s seeded in every panel – as if at any time something could jump out from the page. This blend of psychological horror, high school cruelty and teen angst is a relentless assault on the nerves and stays with you as would a childhood nightmare or a Grimm fairy tale. True to its brand, Wytches has all the trappings of the genre – but the issue also spends equal time fleshing out the characters.

The majority of Wytches focuses not on the uncanny, but rather on the emotional toll it has on the Rooks family. The presence of the supernatural is present throughout, but it is not the main focus. At its core, Wytches is a story about a father, a daughter, and their bond together, but it is also a story of apprehension and one which relies heavily on a sense of body horror. Supernatural themes can be daunting, but body horror, with its focus on degeneration, mutation, or mutilation of flesh, affects the reader on a gut level. That element alone compels us to sympathize with and root for Sailor and it doesn’t take long before this modern gothic fairy tale spins a tense and lyrical web of emotions. As the story unfolds we follow Sailor trying to cope with the aftermath of her traumatic attack and the horror of teenage life, all while her parents desperately attempt to search for answers.

One of the challenges with writing horror and fantasy is introducing not only the world itself but the background needed to set the stage for what’s to come. Snyder is a master at avoiding overly expository dialogue; not relying too heavily on exposition he finds clever ways to guide readers every step of the way. Wytches is what you’d call a page-turner and Snyder carefully allows the aftermath of that tragic event to brew while slowly opening the doors to new mysteries and the unknown. The first chapter, for example, expertly provides readers with a solid foundation and understanding of who this family is, leaving us with a cliffhanger that will have readers wanting more.

Wytches TPB Review

Jock and Matt Hollingsworth

Scott Snyder has a reputation for being one of the best writers of horror and he earns a ton of respect since he trusts his readers, and often the artists he collaborates with, to fill in the blanks. Jock is well known for his emotive, impressionist style. Even if you are not a fan of his superhero work, you’ll enjoy how his art lends itself well to horror. The ways in which he captures fear and panic in facial expressions is stunning. His landscapes are gorgeous, and the characters navigate the backdrops seamlessly throughout each panel. His sketchy layouts and framing allow for an immersive tone, especially in building towards the big reveal at the end. Colorist Matt Hollingsworth (who previously worked with Snyder on The Wake), is also vital in setting the mood, giving the book a dark, worn-out appearance. And finally, Clem Robins’ lettering in these pages is tremendously powerful, making a great first impression for anyone unfamiliar with his work.

Conclusion

Snyder established himself as an accomplished storyteller with his work on Batman, American Vampire, Severed, and the first half of The Wake, but Wytches might be the darkest tale he’s ever written. He seems to especially excel in the horror genre and in exploring human relationships set against supernatural or extraordinary events. It doesn’t take long for horrible things to start happening, and it doesn’t take long for readers to feel unsafe.

What Snyder, Jock and Matt Hollingsworth have created here is a stunning portrait of the mental and emotional breakdown of a young girl surrounded by the ugliness of the world, both supernatural and earthly. The stranger elements read like a fever dream, the rest resembles a Stephen King novel. Wytches is a textbook example of how to do horror right. From the twisted cold open to the glimpse of the slender figure in the woods, Wytches sets up enough mysteries and poses enough questions to keep readers invested. If you’re looking for a truly original horror story from a creative team who knows how to use the ingredients of the genre to their full potential, look no further. Wytches is that rarest of accomplishments in a field notorious for tedium and repetition.
– Ricky D

The Wytches Scott Synder Image Comics Review
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