Connect with us

TV

Breaking Up With The Walking Dead

Published

on

Last Sunday, AMC finally aired the Season 7 premiere of its hugely popular series, The Walking Dead. For six long months, fans and casual viewers alike had speculated about who among our ragtag band of misfit protagonists would feel the wrath of Neegan, the egregiously charismatic leader of the Saviors and the series’ newest and so far most compelling baddy, after the  Season 6 finale ended with Rick and his acolytes lined up before their foe as the latter prattled on about killing one of them with his pimped-up baseball bat, “Lucille”. With a classic use of the “guess which main character has to die so that viewers can retain interest in the series?” device, the Season 6 finale ended before revealing who Neegan chose to kill, in what many fans have since called an epic dick move on the part of the show’s writers and producers.

In the few days since this episode aired, viewers have proclaimed their generalized sense of shock and outrage at its unprecedented level of gore and graphic violence — even by The Walking Dead standards — across all corners of the Internet, making my task of providing a fair and balanced review of the Season 7 premiere all the more difficult. So, instead of simply adding my voice to the chorus of the malcontent with regards to the violence and gore that many of us are still trying to shake off, I will instead show the consideration that the series’ writers and producers withheld from their legions of loyal fans, and just say what many of us are already thinking:

Unless The Walking Dead can fill its allotted time slot with more substantial material than graphically gross and emotionally manipulative vignettes of post-apocalyptic humanity’s inhumanity towards the living, the beloved TV series might well be on its way to jumping the proverbial shark.

That the last season ended on a cliff-hanger is not my primary gripe with how the seventh season began. Indeed, other shows have famously pulled off the  “who got killed/who killed or tried to kill a main character?” trope with deft artistry in the not too distant past. The Season 6 finale of The Simpsons, another critically acclaimed, long-running series comes to mind, with its now-classic”Who shot Mr Burns? Part 1″ episode, for which the animators produced several alternate endings to keep the outcome a secret.

However, the use of the “who got killed” plot device in the Season 7 premiere of The Walking Dead (which also featured a series of alternate head-bashings, in what might have seemed to many viewers over the age of 35 like a deliberate nod at The Simpsons’ own masterful Season 6  cliffhanger) just felt like a lazy, unoriginal attempt at keeping the viewers engaged after a long run of increasingly banal — and tiresome — zombie-smashing in the desolate wilderness of the Southern United States.

With its disjointed narrative and atrocious pacing, the Season 7 premiere of The Walking Dead hinted at the possibility that the writers had no idea how to keep the viewers interested for the entirety of the episode, which is likely why the identities of Neegan’s victims were revealed well into the second act. In filling the time with cringe-worthy scenes where Neegan made our hero Rick his figurative bitch, the show’s writers forgot the cardinal rule of cliffhanger episodes, in that whatever lingering mystery had been set forth in the previous installment must be resolved swiftly in order to further the plot and usher in the new chapter. The Walking Dead‘s Season 7 premiere failed miserably in that regard, trolling instead the viewer with something as close to snuff media as prime time television will ever allow, for one long, excruciating hour.

It thus comes as no surprise to this reviewer — and soon-to-be former viewer — that any further investment in this series might prove, at best, to be a waste of precious leisure time.

For the sake of my continued friendship with throngs of superfans and other assorted Walking Dead Heads, let us hope that I am wrong.

Marisol Charbonneau completed a Master's degree in Religious Studies, Anthropology of Religion at the University of Ottawa, and has authored several articles on Contemporary Paganism in Montreal, as well as a work of mythology/science-fiction to be released later this year.

Advertisement
9 Comments

9 Comments

  1. Ricky D Fernandes

    October 28, 2016 at 4:35 pm

    I was going to write a 2000 word article on why I hate the episode so much but life got in the way.

    I feel bad for the cast and crew. Robert Kirkman is the problem. He’s only concerned with making the audience feel like shit and trying his best to shock viewers so the show can stay in the media spotlight.

    The entire cast performed well, and the lighting and cinematography is amazing, not to mention the brief action set-piece. All of that talent wasted for what is one of the worst episodes in television history. I decided to break up with the show last year but curiosity got the best of me and I checked out the season seven premiere. What a mistake that was.

  2. Rob Simpson

    October 28, 2016 at 8:30 pm

    It hit the point that you are talking about ages ago for me.

    I was a massive fan of the walking dead, then with the death of Hershel, my interest started to really wane more and more the longer the show ran. I stopped watching altogether around the death of Bob. It dawned on me that I didn’t care about any of the remaining cast and the eternal push-pull of will they/won’t they die. They could all die and I wouldn’t care. Glad I gave the show up too, nothing I’ve heard since has made me want to return.

    • Ricky D Fernandes

      October 28, 2016 at 11:03 pm

      Wait, who is BOB?

      • Matt De Azevedo

        October 28, 2016 at 11:18 pm

        Lol, how do you keep up with GoT if you have trouble with this show’s cast? 😉

        Bob was the black dude who was played by the actor who played D’Angelo in The Wire.

        • Ricky D Fernandes

          October 29, 2016 at 4:14 am

          OMG I totally forgot about him. LOL.

          I keep up with GOT cause it is a great show. TWD is good but not great. I do king of miss the podcast.

  3. Matt De Azevedo

    October 28, 2016 at 9:24 pm

    “Unprecedented level of gore”??? People are UPSET by the amount of gore? WTF? That’s hilarious. The gore and special effects this episode were fucking great.

    I’ve never been in love with the show, I’ve actually found it to be borderline bad for a large portion of its run, though it has had some high level episodes as well. Overall I’d say it’s a decent show, not worthy of all the praise its gotten over the years. With that said, I think last season’s finale was one of the worst episodes of TV I’ve seen, but this season’s premiere was one of the show’s best episodes, maybe the best since the pilot.

    Negan’s character, so far, has been really well done. Giving Rick a seemingly impossible choice, and then NOT forcing him to go through with it was genius. Had he made Rick go through with the act, he would of lost him forever; Rick would of always had revenge on the forefront of his mind, but driving him to the brink and then pumping the breaks was great, he broke him. It’s obvious that Rick’s group will eventually rebel, but Negan’s motivations and tactics were really on point.

    • Ricky D Fernandes

      October 28, 2016 at 11:05 pm

      I can’t believe you think this is one of the best episodes. I think it is really well made but poorly scripted. My problem isn’t the gore. I just think they spent way too long teasing the audience. Like an hour of wasted time. The Walking Dead is a show in which we sit around and wait for characters to die. They all die so why the hell do you need to waste 60 minutes to kill off two characters. Just get it over with.

      • Matt De Azevedo

        October 28, 2016 at 11:17 pm

        60 mins to kill 2 characters? Come on man, the deaths of those 2 people was not the point of the episode. This episode was about breaking Rick, and establishing the kind of person Negan is, and that’s done really well. The pace was intentionally lethargic, and I loved it. I didn’t feel like I was being teased, I was actually genuinely intrigued the whole way though, which is amazing for an ep of TWD (usually I’m browsing the net on my phone or falling asleep while the show plays, lol). Don’t get me wrong, I don’t think this was a masterpiece of TV or anything, but by TWD standards it was far above average, so I’m kinda surprised by this article. But, I’m sure the show will take a nose dive as early as next episode… I wouldn’t be surprised if the show doesn’t get back to Rick’s group till like episode 4, lol.

        • Ricky D Fernandes

          October 29, 2016 at 4:15 am

          Funny thing is I read similar articles across the net. A lot of critics have decided to stop watching it.

Leave a Reply

Your email address will not be published.

Masthead

Ricky Da Conceicao, Founder, Editor-in-Chief
Patrick Murphy, Editor, co-founder
Mike Worby, Managing Editor
Marc Kaliroff, Games Editor, (NXpress Podcast)
Brent Middleton, Indie Games Editor
Campbell Gill, Indie Editor; (NXpress Podcast)
Izsak Barnette, Senior Writer
Renan Fontes, Senior Writer
Mathew Ponthier, Senior Writer
Cameron Daxon, Staff Writer, (NXpress Podcast)
Antonia Haynes, Senior Writer
Christopher Cross, Senior Writer
Tim Maison (Game Boys Podcast)
Ryan Kapioski (Games Boys Podcast)
Alex Aldridge (The Winner is You Podcast)
David Smile (The Winner is You Podcast)
Marty Allen, Staff Writer
Patrick Morris, Staff Writer
Caitlin Wiliams, Staff Writer
Daniel Pinheiro, Staff Writer
Dylan MacDougall, Staff Writer
Michael McKean, Staff Writer
Nicholas Straub, Staff Writer

Trending