31 Days of Horror: The House of the Devil As far as personal histories with a film go, Ti West’s The House of the Devil is one of...
These days, the superhero genre is one of the most bankable genres of film. However, a quarter-century ago, the cinematic language of the modern superhero film...
Sundance 2017 has come to a close for one of our writers. Here are some of the best films Dylan Griffin had the pleasure of seeing.
The explosion in Oklahoma City on April 19th, 1995 remains the largest domestic attack on U.S. soil to date. The opening of Oklahoma City plays recorded audio...
I walked into Don’t Swallow My Heart, Alligator Girl! just based on the strength of that title alone. What the hell was this movie about? It’s...
I’ve now seen three of Alex Ross Perry’s four films, and I still can’t pin him down. Listen Up Phillip is a hilarious and curiously inspiring...
Dee Rees is a name that gets brought up often in conversations about great new talents in American independent filmmaking. I hadn’t seen any of her...
'Wind River' contains the pieces of a possibly great film, but director Taylor Sheridan can't quite weave them together.
Damien Power’s 'Killing Ground' is another effective, sobering and violent entry into Australian horror that strangely ends up having much to say about our relationship to...
It’s a conflict as old as they come. Sleaze is inherently unclassy, and class is inherently unsleazy. In William Oldroyd’s directorial debut, Katherine (Florence Pugh) is...
Macon Blair's film works as both a dark comedy and tense thriller, as terrifying at times as it is hilarious.
Sundance is only like a month away, and it’s always a fun way to kick off the new year by sifting through the lineup and screening...